PDF Ebook The Trials of Apollo, Book 1: The Hidden Oracle, by Rick Riordan

PDF Ebook The Trials of Apollo, Book 1: The Hidden Oracle, by Rick Riordan

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The Trials of Apollo, Book 1: The Hidden Oracle, by Rick Riordan

PDF Ebook The Trials of Apollo, Book 1: The Hidden Oracle, by Rick Riordan

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Review

PRAISE FOR THE BLOOD OF OLYMPUS". . .fans will revel in the adventures, wit, and memorable characters found in this thundering conclusion to The Heroes of Olympus series."―Booklist OnlinePRAISE FOR THE LOST HERO"Readers longing for a return to Camp Half-Blood will get their wish.... ...the action scenes come frequently as the three heroic teens fight monstrous enemies in North American locales..... Flashes of humor lighten the mood at times, but a tone of urgency and imminent danger seems as integral to this series as the last. With appealing new characters within a familiar framework, this spin-off will satisfy the demand for more."―BooklistPRAISE FOR THE HOUSE OF HADES"In this adventure, victories are hard-won and the essence of bravery nuanced, making the journey as satisfying as it is entertaining."―Kirkus

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About the Author

Rick Riordan, dubbed "Storyteller of the Gods" by Publishers Weekly, is the author of three #1 New York Times best-selling middle grade series with millions of copies sold throughout the world: Percy Jackson and the Olympians, based on Greek mythology; the Kane Chronicles, based on Ancient Egyptian mythology; and the Heroes of Olympus, based on Greek and Roman mythology. Rick collaborated with illustrator John Rocco on two best-selling collections of Greek myths for the whole family: Percy Jackson's Greek Gods and Percy Jackson's Greek Heroes. The first book in his Magnus Chase and the Gods of Asgard trilogy based on Norse mythology, The Sword of Summer, also debuted at #1 on the New York Times list. Rick lives in Boston, Massachusetts with his wife and two sons. Follow him on Twitter at @camphalfblood.

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Product details

Age Range: 10 - 13 years

Grade Level: 5 - 9

Lexile Measure: 680L (What's this?)

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Series: Trials of Apollo (Book 1)

Hardcover: 384 pages

Publisher: Disney-Hyperion; First Edition edition (May 3, 2016)

Language: English

ISBN-10: 148473274X

ISBN-13: 978-1484732748

Product Dimensions:

6 x 1.1 x 8.6 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

1,604 customer reviews

Amazon Best Sellers Rank:

#13,623 in Books (See Top 100 in Books)

Well, I'm hooked on Riordan's books, although I prefer the Greek/Roman world to the Egyptian and Norse series. It takes a writer of Riordan's skill to make me interested in following the adventures of Apollo as a human, since he's about the least admirable, most dislikable Olympian in my eyes. Anyway, I enjoyed this, which sets the stage for Apollo's redemption after getting tossed out on his ear, and sets up another new villain for Percy and hopefully, Jason, to join forces with the gods and Save The World - again!

I’m happy about the release of this book, back to Camp Half Blood, and I admit the trip into Norse mythology was fun for a bit, but I’ve grown quite fond of our past protagonists and it was nice to have them back. One thing I would recommend, this book could be read on its own, without reading the others that have come before it, but I wouldn’t. There are some brief summaries of Camp Half-Blood and Camp Jupiter, but it talks about the outcome of those events. Also, the book takes place at the start of Riordian’s last book Magnus Chase, and you know that based on what Annabeth is doing, she’s in Boston.The book has Percy for a bit in it, but then it is primarily focused on Apollo and a new demi-god Meg. Like many of Riordian’s past books, the origins of Meg are a bit of a mystery. Uh, I really have to say, there are some hysterical reference in the book that are not entirely based on the knowledge of children in the normal YA range. Shout-out to a Rocky Horror mention! Anyway, the book is enjoyable to read as all the others and is quick.Apollo is on earth as a mortal, the oracles have stopped prophesizing and there are a lot of tie-in’s to other stories that will emerge in the future, in particular Leo. I was worried that Apollo would annoy me, but his arrogance is amusing, and he has some pretty interesting narratives on his fatherhood, especially being proud of his children’s vanity. As a condition of his time on earth he must serve a demi-God, which is an enjoyable paring to read about and the character of Meg is unique and very strong. There’s still more to learn about her background though, which I am excited for in the future.I don’t want to give too much away, but the new threat is a bit different from the past and pertains to historical figures, not simply the Gods and Goddesses in the traditional sense. The entire story is told from Apollo’s perspective and it’s kind of nice to have on-going pop-culture references, even as recent as Alabama Shakes.I highly recommend it! However, wait to read this after you’ve read the other Percy Jackson books!

I am a fan of Riordan. I enjoy how he takes ancient mythology and relates it to the modern world in a way that intrigues young and older minds alike and inspires kids to learn more about ancient histories and civilizations. This first book of the new Apollo series was much anticipated by both myself and my son (age 12). That anticipation may have been a disservice, however, as the story did not quite meet the high expectations. While the Percy Jackson and the subsequent books brought the reader into this mythological cross-section with relatable characters, Apollo falls short of establishing this relationship. He is frequently far too depressed and, for lack of a better description, whines too much in self pity. While I realize this is an internal struggle for Apollo, it is not so dissimilar to the feelings of inadequacy Percy often felt, yet because of better development, the reader was drawn into Percy's feelings rather than just being annoyed by them. It is never a good thing for the reader to find your main character annoying. I did finish the book and I am hoping Apollo's inner whine struggle will abate, or at least be relatable n the future installments. My son did not finish the book. And that is saying something, as he is an avid reader and huge fan. He easily reads two books a week and loves all the Percy Jackson, Olympian, Roman, Egyptian and Nordic books by Riordan. He was greatly disappointed and would probably disagree with my giving the book three stars. However, I stand by the three stars, admitting this is not Riordan's best work, but the research is excellent, the plot moves sufficiently, he did create characters I care about and he did provide adequate conflict, even if the resolutions were sometimes over simplified. It is an okay read if you are patient enough to get past Apollo being a little too Apollo. I do hope the next book is better, but this one does not leave me in a rush to pre-order it.

This is one of the best books I have read. It was great that Rick kept Apollos arrogance but still made him realize that he had faults. I'm going to be real here and say that I was in tears on multiple occasions.It was also great that he decided to let people like Leo and Calypso have the spot light instead of Percy and Annabeth. I was laughing so hard and some parts, I almost fell off the chair I was sitting on.This is a book that you are going to want to read and will keep you on the edge of your toes waiting for the next one.

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Download PDF Lincoln in the Bardo: A Novel, by George Saunders

Download PDF Lincoln in the Bardo: A Novel, by George Saunders

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Lincoln in the Bardo: A Novel, by George Saunders

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Amazon.com Review

An Amazon Best Book of February 2017: Lincoln in the Bardo is hilariously funny, horribly sad, and utterly surprising. If you can fight past an initial uncertainty about the identity of its narrators, you may find that it’s the best thing you’ve read in years. This first novel by acclaimed short-story-writer and essayist George Saunders (Tenth of December, The Brain-Dead Megaphone) will upend your expectations of what a novel should be. Saunders has said that “Lincoln in the Bardo” began as a play, and that sense of a drama gradually revealing itself through disparate voices remains in the work’s final form. The year is 1862. President Lincoln, already tormented by the knowledge that he’s responsible for the deaths of thousands of young men on the battlefields of the Civil War, loses his beloved eleven-year-old son, Willie, to typhoid. The plot begins after Willie is laid to rest in a cemetery near the White House, where, invisible to the living, ghosts linger, unwilling to relinquish this world for the next. Their bantering conversation, much of it concerned with earthly -- and earthy – pleasures, counterbalances Lincoln’s abject sorrow. Saunders takes huge risks in this novel, and they pay off. His writing is virtuosic – and best of all, its highs and lows are profoundly entertaining. You may hear echoes of Thornton Wilder, Beckett and even a little Chaucer, but Lincoln in the Bardo is peculiar and perfect unto itself. Some advice: don’t try to read this one in a library. You’ll be hooting with laughter when you aren’t wiping away your tears. --Sarah Harrison Smith, The Amazon Book Review

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Review

“A luminous feat of generosity and humanism.”—Colson Whitehead, The New York Times Book Review  “An extended national ghost story . . . As anyone who knows Saunders’s work would expect, his first novel is a strikingly original production.”—The Washington Post   “Saunders’s beautifully realized portrait of Lincoln . . . attests to the author’s own fruitful transition from the short story to the long-distance form of the novel.”—Michiko Kakutani, The New York Times   “Devastatingly moving.”—People   “Profound, funny and vital . . . the work of a great writer.”—Chicago Tribune   “Heartbreaking and hilarious . . . For all its divine comedy, Lincoln in the Bardo is also deep and moving.”—USA Today   “Along with the wonderfully bizarre, empathy abounds in Lincoln in the Bardo.”—Time   “There are moments that are almost transcendentally beautiful, that will come back to you on the edge of sleep. And it is told in beautifully realized voices, rolling out with precision or with stream-of-consciousness drawl.”—NPR   “Lincoln in the Bardo is part historical novel, part carnivalesque phantasmagoria. It may well be the most strange and brilliant book you’ll read this year.”—Financial Times “A masterpiece.”—Zadie Smith   “Ingenious . . . Saunders—well on his way toward becoming a twenty-first-century Twain—crafts an American patchwork of love and loss, giving shape to our foundational sorrows.”—Vogue   “Saunders is the most humane American writer working today.”—Harper’s Magazine   “The novel beats with a present-day urgency—a nation at war with itself, the unbearable grief of a father who has lost a child, and a howling congregation of ghosts, as divided in death as in life, unwilling to move on.”—Vanity Fair   “A brilliant, Buddhist reimagining of an American story of great loss and great love . . . Saunders has written an unsentimental novel of Shakespearean proportions, gorgeously stuffed with tragic characters, bawdy humor, terrifying visions, throat-catching tenderness, and a galloping narrative, all twined around the luminous cord connecting a father and son and backlit by a nation engulfed in fire.”—Elle   “Wildly imaginative.”—Marie Claire   “Mesmerizing . . . Dantesque . . . A haunting American ballad.”—Publishers Weekly (starred review)   “Exhilarating . . . Ruthless and relentless in its evocation not only of Lincoln and his quandary, but also of the tenuous existential state shared by all of us.” —Kirkus Reviews (starred review)   “It’s unlike anything you’ve ever read, except that the grotesque humor, pathos, and, ultimately, human kindness at its core mark it as a work that could come only from Saunders.”—The National

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Product details

Hardcover: 368 pages

Publisher: Random House; 1st edition (February 14, 2017)

Language: English

ISBN-10: 0812995341

ISBN-13: 978-0812995343

Product Dimensions:

6.6 x 1.3 x 9.5 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

1,907 customer reviews

Amazon Best Sellers Rank:

#9,574 in Books (See Top 100 in Books)

Before you crack open George Saunders' new (first) novel, "Lincoln in the Bardo", you must empty your mind of what you expect an historical novel to be. Both the structure and the narrative are incredibly non-traditional, somewhat experimental, often disorienting, but ultimately fulfilling. Let me assure you that if you open your mind, you'll not only get used to it, you will enjoy it thoroughly.That said, I think "Lincoln in the Bardo" would work even better as a stage play, somewhat reminiscent of "Our Town", and in this sense I think an audio recording of the novel, if done well, might be the best way to experience this work.Bardo is a Tibetan word for the "in-between" or "transitional" state between lives (thank you, Wikipedia). The novel takes place in one night in a cemetery and the story is narrated by hundreds of voices: old and young, men, women, and children, white and black, salve and free. These denizens of Saunders' novel are in a place between life and death. We are told that people stay in this gray area for varying periods of time and that children usually stay there a very short time (this is where it also sounded a lot like Purgatory to me). Do these "beings" know that they are actually dead? They use words like "sick box" for coffin, and "sick-form" for body, "white stone home" for mausoleum, so they seem to be unclear as to their actual state. Through these voices Saunders creates as fascinating (and chilling) a version of the after-life as Dante Alighieri gave us. (There is a particularly interesting and notable discussion among them about free will in the latter part of the novel.)The basic plot is fictionalized history: Willie, Abraham Lincoln's young son, has died and he is now in the Bardo. Here we meet the many fascinating - and funny! characters who show Willie around, who witness the unusual sight of Lincoln cradling the body of his young son, and who endeavor to help both father and son to find peace. That's as far as I will go with the "plot" of this novel.One of my favorite things about this unique novel, was how Saunders presented conflicting "news reports". For example, when reporting on the White House gala reception the night Willie is dying, some "witnesses" said there was a full moon, some said there was no moon, some said it was green, some red, others said it was just a sliver. This serves to remind us that recorded history is just as unreliable as our current news reporting. What is the truth? Do we ever know? For the purpose of "Lincoln in the Bardo", we only need to know that the Lincolns did lose their beloved son Willie in early 1862, all else is brilliantly imagined and "reported" by Saunders.Ultimately "Lincoln in the Bardo" is a riveting exploration of death, grief, and love told in an utterly unique, almost poetic, fashion.

I was expecting a lot from this book and I'm sorry to say I was disappointed.It's clear to me that I can't fully appreciate Mr. Saunders alternative writing and since the onset I had a complicated relationship with this book (there were sections where I felt completely lost) I tried my hardest to like it, I really did.I know a few people who has swooned over this book. Not me. There is a very good chance that my aversion betrays a complete lack of understanding on my part.But in all honesty, I can't recommend it to anyone.

I almost want to break this review into two parts. One for those who know Saunders and one for those who’ll be experiencing him for the first time. What does it matter? Well, you’re about to hear and read a lot about this book, Lincoln in the Bardo, about Saunders himself (there was so much press with Tenth of December that I feel like he and I have hung out multiple times; that I know all his stories), and about his genius. Then, if you’ve never read him, and especially if you haven’t read much in the way of modern or post-modern literature, you’re going to pick up this book and put it down in about five minutes. That, dear readers, would be a grave (see what I did there?) error, a real tragedy. Why? Because Saunders’ much anticipated first novel really is as genius as the stories and interviews and blurbs are going to claim, but you have to do a little more of the work as a reader than you might be used to.Much anticipated is the phrase you’ll probably hear most. What that should tell you is that Saunders has a strong fan base. He truly does, and full disclosure here, I’ve counted myself among them for a few years now. His mastery of the short story is well known, with the use of quirky characters, odd theme parks, and surreal science fiction-y, angst inducing situations known to take you to dark, uncomfortable places but that still manage to find and nourish a spark of humanistic hope. Perhaps the most common feeling among his readers as they’ve enjoyed these works is “man, I wish this guy would write a novel!” He has, and in true Saunders fashion, he’s ensured that very little about the experience is “normal”.I’m not going to regurgitate plot here, plenty of better reviews have already done you that favor. What I do want to make sure to express is the feel of the structure and the experience, perhaps in terms of other things you’ve read and seen. The most common comparison I’ve read is Edgar Lee Masters’ “Spoon River Anthology”. The comparison is apt, there are similarities, mainly in that the dead speak to us of their pasts and especially of their mistakes. But Masters’ dead are much less playful and rarely attempt humor while Saunders’ cast of spirits deliver several laugh out loud moments as they guide readers through the tale. I thought often of Twain as I read.Another comparison that came to mind several times was Dante’s Inferno. Though instead of a proper hell, we are treated to a description of a Bardo, a purgatory where spirits have remained in between their death and their final destination. Each held up for reasons of their own personal obsessions, several of which are brilliantly and humorously described throughout the novel. Others are devastatingly sad yet delivered equally as powerfully. The reader increasingly learns about the rules and behaviors of that Bardo through these snippets of stories.This is probably a good time to talk about structure. It’s quite different and again, I’d expect no less from Saunders. Picture a Greek chorus, a paragraph or two of dialog (rarely more) with an attribution after each. It is startling at first and again, will be especially so to readers less familiar with modern and post-modern lit. And so it is this difference that will probably be the biggest complaint as the reviews begin to pile up here. My advice? Hang in there, it works and it works quite well. In fact, you’ll not only get used to it, you’ll learn to love it.More comparisons now. Lincoln, the titular and in some ways central (though in many ways not) character expresses the most powerful dialog and I often thought of Shakespeare when Lincoln spoke. These are beautiful and profound moments, by far the novel’s most powerful as he reflects on the death of his son Willie. You don’t have to be a parent to feel the impact of his dialog, but it sure didn’t hurt, and I personally haven’t read such raw, sincere and painful cogitation on death and mourning since I read Twain’s “The Death of Jean”. Readers of Paul Hardings’ Enon have also tasted of similar parental agony. In any case, it is through Lincoln’s character that the deepest waters flow.One other comparative thought, especially if you’re hearing all the publicity and thinking of picking up this novel for grandma who loves to read. It’ll also bring to mind at various times Beavis and Butthead, or maybe Hank and Bobby Hill. I don’t mean that as a negative, I really don’t. But I do understand that this is something about Saunders that people either love or hate. At one moment Lincoln may wax eloquent on the spark of life and in the next, you may be reminded for the tenth time or more that one of the spirits has a massive erection. These moments bring me joy and laughter, but I do comprehend that for some others they don’t carry the proper dignity of their normal read. If you are one such, Saunders may not be for you.Most importantly, I’d implore all readers to keep an open mind. If you’re a Saunders fan, you’re going to be strengthened in that fandom. If you’re new to Saunders, but enjoy alternative structures and have a history of adventurous reading, I’m confident you’ll soon count yourself a soldier in his army. However, if you’re one whose reading tends toward the traditional, conservative in structure and clear in its identity, then Lincoln in the Bardo’s narrative structure and its moments of revelry may at first feel like nails on a chalkboard to you. Please, fight through it. The novel's main points could yet become for you sweet susurrations of humanistic glory that leave you wet eyed and wondering where Mr. Saunders has been all your life.

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Download PDF The House On An Irish Hillside, by Felicity Hayes-McCoy

Download PDF The House On An Irish Hillside, by Felicity Hayes-McCoy

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The House On An Irish Hillside, by Felicity Hayes-McCoy

Download PDF The House On An Irish Hillside, by Felicity Hayes-McCoy

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Review

'There is something entirely Irish about her writing: fresh, daring, curious and blazingly beautiful. Whatever she turns her bright eye on comes alive: the soft wild country of Kerry and the Dingle Peninsula, old half-remembered stories, and the pattern of life in rural Ireland. As you read on you begin to believe that you own the house on the hillside, that you are part of the smoky circle of musicians, that the seaweed you spread on the earth will produce a fine crop of potatoes. Wise, funny and touching, this book is a portrait of friendships, customs and folklore of Ireland; but what stays with you is harder to catch, like smoke or running water. It is the taste of something we all once knew, ever-present if only you look for it. Completely enchanting.'―Joanna Lumley

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About the Author

Felicity Hayes-McCoy was born in Dublin, Ireland. She read English and Irish language and literature at UCD before moving to England in the 1970s to train at The Drama Studio, London. Her work as a writer includes television and radio drama, features, documentaries, dramatisations and adaptations; screenplays; music theatre; children's books, and interactive multimedia products.She and her husband, opera director Wilfred Judd, live in Corca Dhuibhne and in Bermondsey, London. She blogs about life in both places on her website www.felicityhayesmccoy.co.uk

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Product details

Paperback: 320 pages

Publisher: Hodder; Reprint edition (June 18, 2013)

Language: English

ISBN-10: 1444730312

ISBN-13: 978-1444730319

Product Dimensions:

5 x 0.8 x 8 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

103 customer reviews

Amazon Best Sellers Rank:

#319,092 in Books (See Top 100 in Books)

This book describes the author’s gradual transition from London city to Irish country living as she and her husband find and remodel a traditional house in a wild and remote part of Ireland that echoes the past and enfolds memories, myths and old stories of people, places and events into everyday life. As the couple work on making their additional house meet their present needs, they become friends with their neighbors and develop new skills while creating a balance between work and play, the past and the present. Over the years both the author and her husband create a more satisfying life as they develop a deeper, richer relationship with a very specific place and community. This is a gentle, careful, and unassuming account of finding a simple, unique and fulfilling lifestyle that is its own reward.The author writes beautifully, crafting several prose passages that are to be savored if not committed to memory. Her descriptions of landscape and place are fresh and evocative. Her knowledge of Celtic history, myth and folklore is extensive and artfully woven through her experience. This is a lovely book.

A friend gave me this book after I had raved about my experience in Ireland, and one evening I sat down immersed in the well-written adventure of the author as if she and I were good companions. She finds her space on the coast and I went along with her. How her huband and her interacted with neighbors, new- found friends and relatives, both in London and in Ireland, were such delightful takes of what life is all about.Right from the first paragraph I knew that I would be in for a marvelous read thanks to the author's ability with language and her careful descriptions.

Nice but lukewarm story with uninspired writing. The author never really gets to the heart of the appeal of her giant change of lifestyle to this house from her previous urban life. I enjoyed the small glimpses into the local Irish folk, but it seemed to lack depth. It would have been good to really FEEL through her eyes and her heart, instead of getting a more journalistic report of parties attended and tasks done to the house. I think the true core of this story was skipped over, somehow, as it left me strangely dissatisfying sense of "something was missed."

This beautiful story stirred up longings for times I've never experienced, A masterpiece of landscapes, turf fires, cooking and baking aromas, families and communities forged from proximity and caring are wrapped in sounds of music and dancing and camaraderie as real as imagination can allow.Did I dream it or has my DNA lived in Corca Dhuibuhne?

I really enjoyed this book and the tales of her neighbors. I have a lot of Irish ancestry so I found all the Irish history and mythology very interesting. I would have liked less background on their lives in London and more on transforming their home in Ireland. I think the contrast of their lifestyles London versus Ireland was interesting but a bit too heavy on the London side. The neighbors' names became too many to remember so I stopped trying and just enjoyed their roles. I recommend this book for anyone looking at a peek into Irish life.

The writing is beautiful, the perspectives insightful and gentle, and the depiction of Back West, Dingle captures what is quintessentially the spirit of the Celtic people. I love the palpable power of place I experience in Ireland. This book captures it better than any I have read.Just 2 weeks ago, I came upon a reading/gathering led by Felicity in a Dingle bookstore. She, her husband, and neighbors were as genuine in person as in her book. They conveyed story, music, and love of place in person as she had in the book. The event was the highlight of my Dingle experience. I sent out messages that " you must read this book" to everyone I know.I savored the author's phase "memory and possibility" as I traveled throughout Ireland. Yet, one does not have to have visited Ireland to enjoy this book, It stands on its own as a story of a couple finding a place to ground themselves in beauty, community and story. In other words, I loved this book.Jeanne Crane, author of Celtic Journey, A Wee Journey to the Heart of It All.

Enjoyed it! I know how it is when you love a country you have "moved"to and then have to return to the USA (nothing against my native USA). Wish it was as easy to stay in the country we take up residence in and have the economic resources to stay there, as it is for immigrant vagrants coming in and living off the country's tax payers.

I've just returned from our first trip to Ireland, the glow remains and I want to learn more about this magical place, this wonderful book took me to an Ireland and its traditions that made me relax and soak it all in.Thank you Felicity Hayes-McCoy for the ride!

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Product details

File Size: 101532 KB

Print Length: 240 pages

Publisher: Regan Arts. (September 26, 2017)

Publication Date: September 26, 2017

Sold by: Simon & Schuster Digital Sales Inc.

Language: English

ASIN: B01M7WUZGX

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Amazon Best Sellers Rank:

#316,779 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Would have liked more recipes to use throw away parts of food. This barely gets into practical use. Disappointed the book isn't more like the sample pages.

My canning repertoire has needed some pizazz for awhile and this book does not disappoint! My favorite part is the section dedicated to green tomatoes. Non-canners need not shy away as there are many recipes that don't involve canning or additional kitchen equipment. I think this book is a must have for anyone with a garden, CSA subscription or is a frequenter of farmers markets.

I am a long time food preserver and I found this book late in the season this year as i wanted some new inspiration for next. It caught my attention for its emphasis on using the whole plant. That is something I want to do more of and bought this with that in mind. I am inspired and looking forward to using this book more next season as I find the recipes inventive and appealing. I have only made the green tomato enchilada sauce so far and already have enjoyed several jars of it and worried I didn't make enough for this year. It's really delicious, so I am looking forward to making more of these creative and interesting new twists on old favorites, with plenty of new to me recipes to keep me interested.

Love this book- covers the basics but also really creative recipe including recipes to use the products you’ve preserved. Love the root to core concept too. This is a must have for anyone who loves to can. Beautifully illustrated- a work of art!

Good tips and recipes for canning and preserving

The recipes were too exotic for my taste. I only tried one recipe but it did turn out well.

I read and started doing some canning just to see if I could get the hang of canning. This book was a great help, now I can.

Great read. Cant wait for garden

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Free Download Forgotten New York: Views of a Lost Metropolis, by Kevin Walsh

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Very own this publication asap after ending up read this site page. By owning this book, you can have time to spare to read it certainly. Even you will certainly not have the ability to complete it in other words time, this is your opportunity to change your life to be much better. So, why don't you spare your time also juts couple of in a day? You can read it when you have spare time in your workplace, when remaining in a bus, when being at home before sleeping, as well as a lot more others.

Forgotten New York: Views of a Lost Metropolis, by Kevin Walsh

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Forgotten New York: Views Of A Lost Metropolis, By Kevin Walsh Actually, publication is truly a window to the world. Also many people may not appreciate checking out books; guides will still offer the specific details about truth, fiction, encounter, experience, politic, religious beliefs, and also more. We are below a web site that provides collections of publications greater than guide shop. Why? We provide you bunches of varieties of link to get guide Forgotten New York: Views Of A Lost Metropolis, By Kevin Walsh On is as you need this Forgotten New York: Views Of A Lost Metropolis, By Kevin Walsh You could locate this publication conveniently here.

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Related to this condition, you will certainly likewise learn May books that can be sources for your life. It is not just this sort of subject; you could likewise find others like this publication to serve. Of course, what we give is exactly what finest in this world. So, you may not be fretted to choose Forgotten New York: Views Of A Lost Metropolis, By Kevin Walsh as one of inspiring analysis publication. Currently, whatever to do, you need to get this book as well as get adhering to the system to be a lot easier and quicker.

Review

“This is a wonderful guide to Gotham old and new by someone who really knows his stuff. Invaluable!” (Kevin Baker, author of Strivers Row)“Instantly my favorite guide to the city. Walsh has a phenomenal eye and an almost fanatical attention to detail.” (Luc Sante, author of Low Life)There are no more nooks nor crannies in NYC left to find hidden gems. Kevin Walsh has found them all. (Stan Fischler, author of The Subway and The City)

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About the Author

Kevin Walsh, an urban explorer extraordinaire and creator of www.forgotten-ny.com, provides a window into a world that few even know exists. He hosts sold out Forgotten-NY Tours throughout the boroughs and is a much sought-after expert on little-known facts about New York City. He grew up in Bay Ridge, Brooklyn, watching the Verrazano-Narrows Bridge being built and presently lives in Flushing, Queens.

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Product details

Paperback: 384 pages

Publisher: Collins Reference (September 26, 2006)

Language: English

ISBN-10: 0060754001

ISBN-13: 978-0060754006

Product Dimensions:

6.5 x 0.9 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#285,357 in Books (See Top 100 in Books)

This book is not for the out-of-towner planning a weekend, or even a week-long trip. New York is too big, and there are so many 'mandatory' things you should see. But this is definitely a book that should turn many a New Yorker into a weekend tourist.The problem with living in New York is that life is permanently set to warp-speed. The present and the very near future are all anyone can think of, and that other great foundation of New York (in addition to its literal bedrock)--its history--is often forgotten. This is a shame, as what the city has been to the many people who have come to it to realize their dreams is a great part of the place's magic. Kevin Walsh has done a terrific job of documenting the surviving islands of that history that the city was simply too busy (or forgot) to tear down.New Yorkers: buy this book, clear your calendar, and take a couple of days, or even an afternoon, discovering the city that you've never really noticed. You'll never think of New York the same way.

For a sightseeing tour guide as I am, this book is a real jewel, something to treasure and cherish, to read over and over again.For the everyday New Yorker is a way to discover or rediscover the city and all its hidden jewels.Just read, follow the maps and enjoy the show.

a wonderful book. I was born and raised in n.y.c. have always been interested in n.y.c. history. this book covers what I would call neighborhood history. covering highly localized places of interest. it is in encyclopedic format. it is a large book and well worth the minor investment.if you have ever lived in n.y.c. and enjoyed it's history 'forgotten new york' should be of great interest to you. the author also created the website this website is also worth checking out.

I found out about this book through the author's extensive website. I'm not even from New York and I found it to be really interesting, and I'd definitely take the book with me if I were ever to visit town. Of course, this is just a sampling of what this author is capable of - the website is amazing, and in many ways I hope that some of the material from the site could make a commpanion volume. Great work from everyone involved.

A fascinating and intimate glimpse of the side of a city's history you won't find in your run o' the mill guidebooks. Instead, the reader is treated to a far more esoteric and interesting overview of the city and its long and varied history. This is essential reading for any tourist with an interest in the unique and is as equally interesting to someone who has never been there and to those who have lived there their entire lives.

We travel to NYC quite a bit and wanted something to use, as a guide, to find places that might be 'off the beaten' path... This book is perfect for us! Packed with great information and photographs~ we recommend it for anyone wanting to discover parts of NY you didn't know were there!

I had gotten the impression from a few of the earlier reviewers that this book was going to be disappointing; a pale shadow of the extensive website that Mr. Walsh has maintained for some years. But when I received my copy I got a pleasant surprise: "Forgotten New York: Views of a Lost Metropolis" is not a coffee-table version of the website (at which I am a sometime and appreciative visitor); rather it is a way to get up from your coffee table, get out the door and actually SEE the wonders that Kevin has found for us.I would compare and contrast this book with another invaluable work, White & Willensky's AIA (American Institute of Architects) Guide to New York City, which revolutionized the appreciation of New York structures (and boosted historic preservation at the same time). The AIA guide shows us buildings of architectural significance, briefly details their history and tells us how to get to them to see for ourselves. By contrast, Forgotten New York tells us how to find all the OTHER interesting little details of New York City's past that are right under our noses.I sympathize with those who wish this book went into more depth in its individual subjects; I hope that books to come may detail this or that neighborhood or topic, but the logic of this guidebook (for that's what it is) is compelling: if I want to find out what Brooklyn, say, was like in the 1930s, I can curl up with a book and read the text and enjoy the pictures, for I have no other choice except for a Time Machine BUT if I want to SEE (and touch, and photograph) survivals of Brooklyn FROM the 1930s, this book "takes me by the hand" and leads me to go and see them for myself.

Even though I lived a large portion of my life in New York, I did not know the interesting historical stories behind the many buildings and places discussed in this book. I bought the book out of curiosity and when I received it I immediately went to the section about Brooklyn, which is where I grew up. It's fascinating reading and I'm anxious to now read about Manhattan, where I worked for many years. I recommend this book highly. It's well written and very interesting.

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Ebook Free Medea and Other Plays (Turtleback School & Library Binding Edition) (Penguin Classics), by Euripides

Ebook Free Medea and Other Plays (Turtleback School & Library Binding Edition) (Penguin Classics), by Euripides

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Medea and Other Plays (Turtleback School & Library Binding Edition) (Penguin Classics), by Euripides

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Product details

Series: Penguin Classics

School & Library Binding: 208 pages

Publisher: Turtleback Books (August 30, 1963)

Language: English

ISBN-10: 0613033302

ISBN-13: 978-0613033305

Product Dimensions:

7.8 x 5.3 x 0.7 inches

Shipping Weight: 9 ounces

Average Customer Review:

4.3 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#2,569,339 in Books (See Top 100 in Books)

Euripides is the tragic author who rings most familiar to modern ears. While Aeschylus is not far removed from the origins of tragedy in Dionysian rituals, the constant theme of Euripides is the effort we must make to sustain civilization and a reasonable life within it against the entropic forces which always threaten its dissolution.The influence of Socrates is not hard to discern. The gods are now believed in because they must be the enforcers of moral law. Men and women ought to resist unreasonable emotional urges or face tragic consequences. The single worst fate man can encounter is the loss of his reason.That tragedy made this turn, the gods being pushed off stage and made objects of belief instead of necessity, the characters depicting real people instead of irrational forces of nature and the warm embrace of reason and everything civilized—these are all marks of progress towards a freer and happier human condition. Euripides should be celebrated as a herald of enlightenment thinking.And, of course, the plots themselves have their own interest and merit. All college students should be exposed to Greek civilization and Euripides, humanizing the Socratic revolution by incorporating it into the tragic tradition, is an excellent vehicle to introduce it. This translation, while some fifty years old, reads like modern English and can still be used at the collegiate level. Highly recommended.

I like modern, readable translations and these are great. There are some very nice and helpful footnotes provided which were very much appreciated. I teach Ancient Philosophy, among other topics, and I was very happy with these translations of profound works of art. Medea, for instance, is a truly alarming and impressive creation.

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Love Euripides. It's a decent translation.

Medea and Other Plays is a collection of plays: Medea, Hippolytus, Electra, and Helen.It begins with Medea, whose husband has married the daughter of Creon, the king. Medea and her childrean are banished from the land, so Medea concocts a plot to kill the king, her husband, his new wife, and the children in revenge against her spouse.She then tricks the daughter of creon into wearing cursed robes so htat she is killed, and the king with her, and then she kills her children, much to her husband's dismay.Then the next book is Hippolytus. Hippolytus begins with the banished king of Athens and his illegitimate son Hippolytus, who is not favorable towards women, so he garners the hate of Aphrodite, who concocts a plot against him. A womam claims to love him, and in secret wants to see him, but he exclaims to the world the evils of women, and with her secret out, she hangs herself. Then the king of Athens returns and thinks his son is guilty and so allows him to be punished by Poseidon, but later finds this is not true, so Hippolytus is freed, and he forgives his father before he dies.The 3rd book is Electra, the daughter of Agamemmnon and Clymnestra, who marries a poor farmer by order. The son, Orestes, was also sent away but soon returns after he is grown, and ends up staying with the farmer. Orestes then embarks to revenge his fathers death, and kills Clymnestra and her lover Aegisthus.The 4th and final book is Helen, in which Helen fears that Menelaus didnt return safely from Troy, only to meet him in person at a later date. Then they must escape from Egypt where they are, which they do by tricking Theoclymenus into giving them a boat.These 4 greek plays are excellentlly written, Euripides,afterall, was one of the greatest greek playwriters of all time, and his plays are a wonderful collection of stories.James Morwood translates them very well, so that they are fluid and easy to understand.The book is slightly over 200 pages and is an easy and enjoyable read.It is a recommendable book to anyone looking to get a copy of these plays or any greek play.

Outstanding edition

The book was awesome to read and also very easy to understand. I really enjoyed this book. If your looking to read great book on Greek tragedies then this is the book for you.

I was pleasantly surprised when I was reading "Medea". About halfway through the play, I realized that the themes of revenge, depression, and female empowerment are still relevant. Infidelity and vengeance are things witnessed everyday: in movies, in the news, maybe even in our own lives. This string of themes proves further that human kind hasn't changed too much. Though I did have some problems with the plot and some of the overdramatics. Medea revealed to the audience a vulnerable, passionate woman who has a bit of a drama problem and needs just a little too much attention. I think any reader can appreciate the pain she suffered and the disgusting way people in power dealt with her. But is there a line being far over-stepped by killing one's own children just to make a man feel guilty?Though there is some undeniable hyperbole, it is a story a reader or audience member can empathize, and is totally plausible in a modern setting.

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Ebook Download Imperfect Knowledge Economics: Exchange Rates and Risk, by Roman Frydman

Ebook Download Imperfect Knowledge Economics: Exchange Rates and Risk, by Roman Frydman

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Imperfect Knowledge Economics: Exchange Rates and Risk, by Roman Frydman

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Review

"[T]he challenge that existing economic orthodoxy may find most disconcerting is Imperfect Knowledge Economics (IKE), the name of a path-breaking recent book."---Anatole Kaletsky, The Times". . . sets out an alternative approach to prediction, in which the forecaster recognizes that his model will inevitably be less than perfect." (The Economist)"A new book ... coins the phrase "imperfect knowledge economics" to describe this world of fundamental uncertainty." (Finanical Times)"A new conceptual framework--Imperfect Knowledge Economics (IKE)--provides the rationale for policy intervention in asset markets, and also has important implications for how regulators should measure and manage systemic financial risk."---Edmund Phelps, Guardian.co.uk, "This marvelous book by Frydman and Goldberg documents . . . invaluable insights of the 'early modern' theory of capitalism that were lost when the profession endorsed rational expectations equilibrium. . . . Happily for me and, I believe, for the profession of economics, this deeply original and important book gives signs of bringing us back on track―on a road toward an economics possessing a genuine microfoundation and at the same time a capacity to illuminate some of the many aspects of the modern economy that the rational expectations approach cannot by its nature explain."―from the foreword by Edmund S. Phelps, winner of the 2006 Nobel Prize in economics"Anyone who has ever studied markets for financial assets such as currencies knows that it is very difficult to explain, much less predict, short to medium term fluctuations. In their innovative new work, Imperfect Knowledge Economics, Roman Frydman and Michael Goldberg make a strong case that it would be particularly helpful to improve our understanding of how financial markets process new knowledge and information. In addition, the book offers a useful guide to understanding existing empirical exchange rate models."―Kenneth Rogoff, Harvard University"The centrality of expectations in understanding economic fluctuations has long been recognized, but their formation has not been adequately described. The rational expectation hypothesis was a bold and ingenious attempt, but it has proved empirically very far from satisfactory, most strikingly, in the field of foreign exchange markets, where the good documentation makes the failure easier to establish. Frydman and Goldberg open new doors by a more realistic understanding of the process of forming expectations; by recognizing that universal rules are intrinsically impossible, they exhibit a more creative understanding of the recent history of foreign exchange spot and futures markets."―Kenneth J. Arrow, Nobel Prize-winning economist"If you are looking for a way to escape from the Procrustean bed of rational expectations equilibrium―and, if you pay attention to real-world data, you should be―try reading this imaginative and intelligent book. It will amply repay your efforts."―Alan S. Blinder, Princeton University"If you have been puzzled by the difficulty of reconciling uncertainty with the equilibrium models that economists use to explain market outcomes, this is the right book to read and reread. It launches a new approach, Imperfect Knowledge Economics, which highlights the long-recognized failure of prespecified general equilibrium modeling to account for the behavior of agents under changing conditions. Frydman and Goldberg are thus proposing models that are able to generate robust qualitative predictions, leading to a better understanding of short- and long-term swings in economic variables. In macroeconomics, there will undoubtedly be a 'before' and 'after' this book."―Jean-Paul Fitoussi, president, l'Observatoire français des conjonctures économiques, Paris"The record of contemporary economics in explaining the behavior of exchange rates is a sorry one. Frydman and Goldberg make the foreign exchange rate problem the particular object of a searching critique of current macroeconomics and use it also as the vehicle for demonstrating how they would break its methodological 'stranglehold.' Their own alternative, imperfect knowledge economics, is systematically worked out and persuasively argued. It is my hope that the book will be widely read and debated."―Axel Leijonhufvud, UCLA and the University of Trento

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From the Inside Flap

"This marvelous book by Frydman and Goldberg documents . . . invaluable insights of the 'early modern' theory of capitalism that were lost when the profession endorsed rational expectations equilibrium. . . . Happily for me and, I believe, for the profession of economics, this deeply original and important book gives signs of bringing us back on track--on a road toward an economics possessing a genuine microfoundation and at the same time a capacity to illuminate some of the many aspects of the modern economy that the rational expectations approach cannot by its nature explain."--from the foreword by Edmund S. Phelps, winner of the 2006 Nobel Prize in economics"Anyone who has ever studied markets for financial assets such as currencies knows that it is very difficult to explain, much less predict, short to medium term fluctuations. In their innovative new work,Imperfect Knowledge Economics, Roman Frydman and Michael Goldberg make a strong case that it would be particularly helpful to improve our understanding of how financial markets process new knowledge and information. In addition, the book offers a useful guide to understanding existing empirical exchange rate models."--Kenneth Rogoff, Harvard University"The centrality of expectations in understanding economic fluctuations has long been recognized, but their formation has not been adequately described. The rational expectation hypothesis was a bold and ingenious attempt, but it has proved empirically very far from satisfactory, most strikingly, in the field of foreign exchange markets, where the good documentation makes the failure easier to establish. Frydman and Goldberg open new doors by a more realistic understanding of the process of forming expectations; by recognizing that universal rules are intrinsically impossible, they exhibit a more creative understanding of the recent history of foreign exchange spot and futures markets."--Kenneth J. Arrow, Nobel Prize-winning economist"If you are looking for a way to escape from the Procrustean bed of rational expectations equilibrium--and, if you pay attention to real-world data, you should be--try reading this imaginative and intelligent book. It will amply repay your efforts."--Alan S. Blinder, Princeton University"If you have been puzzled by the difficulty of reconciling uncertainty with the equilibrium models that economists use to explain market outcomes, this is the right book to read and reread. It launches a new approach,Imperfect Knowledge Economics, which highlights the long-recognized failure of prespecified general equilibrium modeling to account for the behavior of agents under changing conditions. Frydman and Goldberg are thus proposing models that are able to generate robust qualitative predictions, leading to a better understanding of short- and long-term swings in economic variables. In macroeconomics, there will undoubtedly be a 'before' and 'after' this book."--Jean-Paul Fitoussi, president, l'Observatoire français des conjonctures économiques, Paris"The record of contemporary economics in explaining the behavior of exchange rates is a sorry one. Frydman and Goldberg make the foreign exchange rate problem the particular object of a searching critique of current macroeconomics and use it also as the vehicle for demonstrating how they would break its methodological 'stranglehold.' Their own alternative, imperfect knowledge economics, is systematically worked out and persuasively argued. It is my hope that the book will be widely read and debated."--Axel Leijonhufvud, UCLA and the University of Trento"This is a major and controversial contribution to macroeconomics that cannot fail to make an impact in several areas. Academics will read it for the comprehensive critique of much macroeconomic theory. More empirically motivated economists will look

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Product details

Hardcover: 368 pages

Publisher: Princeton University Press (September 2, 2007)

Language: English

ISBN-10: 0691121605

ISBN-13: 978-0691121604

Product Dimensions:

6.2 x 1 x 9.2 inches

Shipping Weight: 1.5 pounds

Average Customer Review:

3.6 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,172,368 in Books (See Top 100 in Books)

While this book requires a modest mathematical background, it is critical to understanding how markets work and how academic economists have resisted critical changes to their fallen field. This book will prove to be a classic once advocates of Rational Expectations are swept away. For those of you who have seen "The Inside Job" (a wonderful film), you might enjoy reading about the most critical alternative to the Rational Expectations Hypothesis. Mark my words: Professor Roman Frydman will have the last laugh.

"Imperfect Knowledge Economics" has as its central tenet that most modern economic models are flawed because they are based on the idea that people always act "rationally" (i.e. we always have perfect information, we never suffer from external constraints, and our goals are always to maximize economic value). The book then proposes a new way to think about economics, suggesting that because people act as people the best that economists can do is to make vague general predictions about the future.Of course, to any non-economist who pays any attention to economic forecasts, all of this is met with a resounding "DUH". The one nice thing about this book is that it hopefully will be read by other economists, and get them to finally realize what most of us have already understood for quite a while, that economists are often the last ones to actually understand what *people* will be thinking, feeling and doing - and of course *people* are ultimately the driving force behind economic markets. (For example: witness how long it took for economists to start saying the word "recession" during this spring of 2008. It turns out that spending data show that consumers knew that poor economic times were coming all the back in the late fall of 2007. Somehow the economists were the last ones to figure this out.)Probably interesting if you are an economist, or you need to deal with economists on a regular basis (certainly if you need to *argue* with an economist). However other than that, its not going to be all that useful for the rest of us as we already know, understand, and have seen the authors' main points for quite a long time.

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Product details

File Size: 72760 KB

Print Length: 404 pages

Publisher: Rowman & Littlefield Publishers (May 5, 2017)

Publication Date: May 5, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B06ZYWN373

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Amazon Best Sellers Rank:

#554,202 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I started in destination marketing and management in 1993 and needed this book then! Thank you Cheryl Hargrove for compiling an easy-to-follow guide for cultural and heritage tourism. Each of the five steps is clearly explained with ample case studies that are relatable to most destinations. Authenticity, engagement, consistency and sustainability are some of the key themes throughout the book. This is a must-read for newcomers and old pros alike. The leaders of organizations involved in any form of community development should read this book to understand how cultural and heritage tourism can be a major economic driver. In addition to cultural and heritage institutions, this book should be in the library of every Destination Marketing Organization (DMO), Chamber of Commerce and economic development agency.

This book is a must-have for community leaders as well as for those looking to lead a community to sustainability. The progressive steps lay out a clear strategy for success. In fact, it is easy to see how this book can be a primer for beginners and a text book for professors. Each topic offers insight through personal experience and detailed profiles from across the country. These stories are not just about big attractions or destinations, but offer practical solutions to any place struggling with sustainability. I keep this book within easy reach, a "go to" for answers in my own community. Cultural Heritage Tourism is destined to be a classic, written by a renowned expert with many more stories to tell.

Ms. Hargrove's book should be "required reading" for any destination, cultural heritage tourism entity or student interested in the right way to do cultural heritage tourism. Those interested in how to build a cultural heritage tourism program could cut weeks/months off of their planning by starting with Ms. Hargrove's "primer."

Many who write about cultural heritage tourism express its innate value in theoretical and marketing terms. This book focuses on the needs of the providers. It is an ideal manual or handbook for those organizations and places that are or want to be in the cultural tourism business. In my experience, I have frequently taken a local group to visit cultural venues and communities that have actuated an effective cultural tourism visitor experience and strategy and therefore serve as a model for what we hope to achieve. With this volume on one's desk or available in the local library, you will have easy access to an invaluable tool kit. Most cultural tourism practitioners are eager to learn from best practices and this volumes introduces us to many always mindful of the differences of scale. I am pleased that the author who is a seasoned veteran in this field, has addressed the issue of sustainability which is a challenge that seldom goes away. We know that the national data demonstrates that cultural organizations earn only half of their operating revenue and the rest generally comes from grants and philanthropic contributions. The utility of this book is profound.Dr. William M. Anderson, former director of the Michigan Department of History, Arts and Libraries

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An absolute “must read” by one of the most respected cultural heritage tourism experts in the nation. Her book provides a complete guide for all communities interested in developing and promoting their cultural heritage tourism product. This book will also be one of your most valuable resources if you are interested advancing sustainable economic development for your community.

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