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Sabtu, 04 Oktober 2014

PDF Ebook Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks

PDF Ebook Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks

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Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks

Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks


Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks


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Fiasco: The American Military Adventure in Iraq, by Thomas E. Ricks

Amazon.com Review

Fiasco is a more strongly worded title than you might expect a seasoned military reporter such as Thomas E. Ricks to use, accustomed as he is to the even-handed style of daily newspaper journalism. But Ricks, the Pentagon correspondent for the Washington Post and the author of the acclaimed account of Marine Corps boot camp, Making the Corps, has written a thorough and devastating history of the war in Iraq from the planning stages through the continued insurgency in early 2006, and he does not shy away from naming those he finds responsible. His tragic story is divided in two. The first part--the runup to the war and the invasion in 2003--is familiar from books like Cobra II and Plan of Attack, although Ricks uses his many military sources to portray an officer class that was far more skeptical of the war beforehand than generally reported. But the heart of his book is the second half, beginning in August 2003, when, as he writes, the war really began, with the bombing of the Jordanian embassy and the emergence of the insurgency. His strongest critique is that the U.S. military failed to anticipate--and then failed to recognize--the insurgency, and tried to fight it with conventional methods that only fanned its flames. What makes his portrait particularly damning are the dozens of military sources--most of them on record--who join in his critique, and the thousands of pages of internal documents he uses to make his case for a war poorly planned and bravely but blindly fought. --Tom Nissley Making a Fiasco Thomas Ricks spent five tours in Iraq during the war, reporting for the Washington Post and researching and writing Fiasco. Like many of the officers he most admires, when he wanted to understand what was happening as American troops encountered stronger and longer-lived resistance to the occupation than expected, he turned to recent and classic accounts of insurgencies and counterinsurgencies, from the U.S. occupation of the Philippines through the lessons of Vietnam, and he reports on his favorites for us in his list of the 10 books for understanding Iraq that aren't about Iraq. You can also get a glimpse into his writing process with a much different list he has prepared for us: the music he listened to while writing and researching the book, from Stevie Wonder and Joni Mitchell to Ryan Adams and Josh Ritter. And he took the time to answer a few questions about Fiasco: Amazon.com: As military correspondent for the Post, you have made five trips to Iraq over the last four years. How has it changed over that time? Thomas E. Ricks: It has been markedly worse each time, in terms of security. On my first trip, in April-May 2003, we would walk out on the streets of Baghdad at night, albeit with caution. Even on my second trip, in the summer of 2003, I would feel comfortable hopping in a car and driving 100 miles north from Baghdad to Tikrit. To do either of those things now would be suicidal. In January and February of this year, Baghdad felt worse to me Mogadishu did when I was there in 1993 or Sarajevo did when I was there a few years later. It appeared to me that there was no security, except what you provided for yourself with armed men and careful planning. One Army major described the city to me as being in "the pure Hobbesian state" in which everybody is fighting everybody. By the way, contrary to what I see asserted occasionally, most reporters don't live in the Green Zone, the walled-off area in central Baghdad that is the headquarters of the American effort in Iraq. Reporters live out in the city, and I think generally have a better feel for what is going on than do people living in the Zone or on big American military bases. In the area of Baghdad I stayed in, I constantly heard gunfire and explosions. Yet an American colonel told me that my neighborhood was deemed "secure." I think that really meant that U.S. troops could drive through it while heavily armed--say, with a .50 caliber machine gun atop a Humvee--and usually not be attacked. I worry that what the Americans measure are threats to U.S. troops and the killings of Iraqis. That neglects a huge spectrum of other significant activities--rapes, robberies, kidnappings, acts of extortion, and, most importantly, acts of violent intimidation. Amazon.com: You cite many strategic errors in the planning and execution of the war, but perhaps the central one is that the U.S. military leadership failed to recognize that they were fighting an insurgency, and their methods of fighting in fact helped to create that insurgency. Can you explain those methods, and their effects? Ricks: The U.S. military that went into Iraq in 2003 was the best military in the world for fighting another military. But it was woefully unprepared for the task at hand. For example, U.S. military culture believes in bringing overwhelming force to bear. Yet classic counterinsurgency doctrine calls for using only the minimal amount of force necessary to get the job done. U.S. soldiers and their commanders, untrained and unschooled in the difficult art of counterinsurgency, tended to improvise. So in the summer of 2003, some soldiers in Baghdad decided that the best way to deter looters was to make them cry--and they sometimes did this by threatening to shoot the children of looters, and even conducting mock executions. More broadly, the Army in the fall of 2003 fell back on what it knew how to do, which was conduct large-scale "cordon-and-sweep" operations. These missions scarfed up thousands of Iraqis, most of them fence-sitting neutrals, and detained them. U.S. military intelligence officials later concluded that 85% of those detained were of no intelligence value. The detention experience frequently was humiliating for Iraqis, a violation of another key counterinsurgency principle: Treat your prisoners well. (Your readers who want to know more about this should read a terrific little book by David Galula titled Counterinsurgency Warfare: Theory and Practice.) Not every unit was ineffective or counterproductive. I was struck at how successful the 101st Airborne was in Mosul in 2003-04. And some units showed remarkable improvement--the 3rd Armored Cavalry Regiment had a mediocre first tour of duty in Iraq, but when it went back in 2005 for a second tour, it did extremely well. Col. H.R. McMaster, the regimental commander (and author of a very good book about the Vietnam War, Dereliction of Duty) told his troops that, "Every time you disrespect an Iraqi, you are working for the enemy." I was especially struck by how his regiment handled its prisoners--it even had a program called "Ask the Customer" that quizzed detainees when they were released about whether they felt treated well. This recognized the lesson of past wars that the best way to end an insurgency is to get its leaders to put down their guns and enter the political system, and to get the rank-and-file to desert or switch sides. But it will be harder to discuss the sewage system with the new mayor next year if your troops beat him in his cell when he was your prisoner last year. Amazon.com: But today's military leadership was formed in Vietnam, when all of those lessons of counterinsurgency were supposedly learned before. Why didn't that experience translate into a preparation for the current conflict? Ricks: Military experts, such at Andrew Krepinevich (The Army and Vietnam) and Lt. Col. John Nagl (Learning to Eat Soup with a Knife) say that after that war ended, the Army washed its hands of the entire experience and essentially concluded that it was never going to do anything like that again. It was almost as if the very word "counterinsurgency" was banned from official Army discourse. In Iraq, there was a tiny minority of American soldiers early on who understood how to win the occupation. These generally were civil affairs officers and other Special Forces types. But their wisdom often was disregarded. "What you are seeing here is an unconventional war being fought conventionally," one Special Forces lieutenant colonel glumly commented one day in Baghdad. Amazon.com: You've been writing about the military for the Post and the Wall Street Journal for years now, and Fiasco is built from the testimony of a remarkable array of sources up and down the chain of command, some off the record but many more on the record. Can you talk about your sources? Is this level of public criticism of a war from within the military precedented?? Ricks: Yeah, reporting the book was a pretty emotional experience. Even having covered this war as it unfolded, I was taken aback by the rage that some officers felt toward the Bush Administration, and especially toward Defense Secretary Rumsfeld. And also toward Paul Wolfowitz, who was then the no. 2 guy at the Pentagon. I think the rage is probably like what the military felt about Robert McNamara during the Vietnam War. What is unprecedented, I think, is that many officers had doubts about the wisdom of invading Iraq, especially in the way we did it. The emotions also hit me pretty hard at times, especially when I was writing my chapter 13, about how widespread abuse was by American soldiers in 2003-04, often because they hadn't been trained for the mission they faced. I have spent more than 15 years covering the military. I tend to like and admire these people. So when I learned about a 4th Infantry Division soldier shooting an unarmed, handcuffed Iraqi detainee in the stomach, and the investigating MPs saying the soldier should be charged with homicide, and instead the commander simply discharged the soldier from the Army--well, that bothered me. Another thing that struck me with sources was the mountain of information that was available. I read over 30,000 pages of documents for this book. At the end of one interview a guy gave me a CD-ROM with every e-mail he had sent to Ambassador Bremer, who ran the civilian end of the first year of the occupation. Other people showed me diaries, unit logs, official briefings, and such. Also the ACLU did a great job of obtaining and releasing piles of official U.S. military documents related to abuse--so I could see the time stamp on an e-mail in which an intelligence officer stated that "the gloves are coming off" in interrogations, and one soldier recommended blows to the chest while another wrote back recommending low-level electrocution. Unfortunately the Army wouldn't release the details of citations for valorous acts by soldiers, which means that the Pentagon made it easier for me to learn about the sins of soldiers than about their acts of bravery. The Marine Corps did give me those "narratives" that support the bestowing of medals, which I really appreciated. Those documents really brought home to me the fierceness of the two Battles of Fallujah, in April and November 2004--probably the toughest fighting American troops have seen since Hue and Khe Sanh in the Vietnam War. Amazon.com: In the last section of the book, you project a variety of possible scenarios for the next 10 years in the Middle East, mostly grim ones, and just in the past two weeks the sudden violence between Israel and Hezbollah in Lebanon is leading to talk of a wider regional conflict. Where do you think those events are leading us? Ricks: We are really in unexplored territory. We are carrying out the first-ever U.S. occupation of an Arab nation. This is also almost the first time we have engaged in sustained combat ground war with an all-volunteer force. (I think the suppression of the Philippines insurrection might count as a small precedent.) Even more significantly, I think the Bush Administration doesn't really like "stability" in the Middle East. In its view, "stability" has been the goal of previous administrations, but pursuing it led to 9/11. It is not the goal, it is the target. So they are for rolling the dice, both in Iraq and in Lebanon. I think the big worry is those wars spilling over borders. Fasten your seat belts.

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From Publishers Weekly

The main points of this hard-hitting indictment of the Iraq war have been made before, but seldom with such compelling specificity. In dovetailing critiques of the civilian and military leadership, Washington Post Pentagon correspondent Ricks (Making the Corps) contends that, under Rumsfeld, Wolfowitz and Feith, the Pentagon concocted "the worst war plan in American history," with insufficient troops and no thought for the invasion's aftermath. Thus, an under-manned, unprepared U.S. military stood by as chaos and insurgency took root, then responded with heavy-handed tactics that brutalized and alienated Iraqis. Based on extensive interviews with American soldiers and officers as well as first-hand reportage, Ricks's detailed, unsparing account of the occupation paints a woeful panorama of reckless firepower, mass arrests, humiliating home invasions, hostage-taking and abuse of detainees. It holds individual commanders to account, from top generals Tommy Franks and Ricardo Sanchez on down. The author's conviction that a proper hearts-and-minds counter-insurgency strategy might have salvaged the debacle is perhaps naive, and pays too little heed to the intractable ethnic conflicts underlying what is by now a full-blown civil war. Still, Ricks's solid reporting, deep knowledge of the American military and willingness to name names make this perhaps the most complete, incisive analysis yet of the Iraq quagmire. Photos.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Hardcover: 496 pages

Publisher: Penguin Press HC, The (July 25, 2006)

Language: English

ISBN-10: 9781594201035

ISBN-13: 978-1594201035

ASIN: 159420103X

Product Dimensions:

6.5 x 1.6 x 9.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

441 customer reviews

Amazon Best Sellers Rank:

#340,917 in Books (See Top 100 in Books)

As a soldier medic deployed in Iraq with the military police, I was astounded at how accurate, revealing, and viceral the author gets. Fiasco, provides insight into the "why" behind horrible policy choices that negatively impacted soldiers, stability, and Iraqis. A must for Soldiers struggling to answer, "how the whole invasion went to hell"

Thomas Ricks has done a great job with this book. Not only is his account detailed and well written, it makes you go back in time and relive the moments that led to the war that followed. Im going to write this review based on points I found important during my reading;- Ricks starts the account from the Gulf War; he gives us an insight of the measures that were taken at the end of it and how there measures influenced the policy towards Iraq in the years that followed.- We get to know the guys that had been pro-war since after 91 (like Wolfowitz, Perle ecc) and why they thought the war would be "good".- Gen.Anthony Zinni is a key figure during the first chapters of the book and his missions (Desert Fox and the containment policy) are given a detailed account. Also during the whole war in Iraq he is given a judgemental say on how the war is going and how it can get better.- The "mistakes" made in the pre-war period and the source of the "bad intelligence" are also treated in detail. You get to learn where the chain got broken ecc.- The way the war starts and its the first months and the inside of those days at the Bush administration take the greatest part of the book. Practically until page 300 (out of 450) you find yourself still in midsummer 2003. Then with the deterioration of the ground situation the reporting changes too. Because the journalists couldn't get out of the safe zones, the reporting details of those months diminish too.- Ricks has this fashion of portraying all the US citizens who take part in the war effort (be it the soldiers, their commanders, the generals or the Bush adm. officials) as good men inside and quite skilled. They are all very hard working, believe in what they say (officially at least) and have PhDs form the Ivy League, but they all find themselves missing the main point of the day. Everyone seems to be at the wrong place at the wrong time.- A detailed account is also given on the abuse cases; who did what and how it was "punished". You get to read how the US soldiers viewed the iraqi civilians and why they got so hated.- "The insurgents" as they are referred during all the book never get a proper name. I mean everybody knew back then that al-Qaeda and the sunni tribes were the main players for the sunni side and that Jaish al-Mahdi (who had infiltrated the police and the army; point which is not touched in the book) was for the shias but they are referred as one during the whole reading. Also nothing is mentioned about the leaders of the insurgency, except for Muqtada Sadr.- A point that I personally found very interesting is when Ricks lays out the possible outcomes of the war in Iraq as "best outcome", "middle" "bad" and "nightmare". At the "nightmare" section he draws a possible scenario in which Iraq is used as a base to form a Caliphate. And he also says that he fears the coming of a "young, energetic, moral, modest, austere..." leader, like Saladin he even adds, and that the muslims will rally after him to fight the westerners. Considering the events that have occurred these last months in Iraq and the region, it seems like the nightmare is coming to life.- Ricks end the book with the coming of Gen.Petraeus as the general commander of the Iraqi mission. Clearly he loves him, because there is a section filled only with the praising of him and the intellectuals that surrounded him. It gives you a taste of what his second book (The gamble) would be like.To sum up, the book is a must read for those who want to have a general view of the beginning and development of the first years of the infamous war in Iraq. The book is well researched and according to my opinion, quite truthful.

Thomas Ricks has written the essential military history of the early years of America's Iraq misadventure. Like so many of the insta-histories of the period, the book is in many ways very journalistic. Unsurprising, perhaps, since Ricks is a journalist. But unlike other journalists' books on the same subject, Ricks also knows how to write serviceable, accessible operational-level military history. Thanks to Ricks' contemporary reporting during the war and his extensive use of sources on the ground, the book has an immediacy and freshness that has not waned with time.

The invasion of Iraq in 2003 will I suspect always be controversial, and the subject of endless debate. I supported the war without qualification, and even now, believe it was necessary. Saddam Hussein had after all, violated U.N. Resolutions 18 times. An acquaintance, holding the opposite view and detesting George W. Bush, suggested around 2007 that I read Fiasco, by Thomas Ricks. With the recent rise of the terrorist group ISIS, the withdrawal of our troops, and the country perhaps headed for civil war, I decided finally to read it, to determine, as best I could from a book authored by someone to the left of my own views, how we started there and why we had so much trouble at the outset.Because of the title itself, I expected Ricks' book to be a bit of a diatribe. I was in the main,wrong. Although he clearly believes, based upon General Anthony Zinni's assessment, that Saddam Hussein was contained, and the invasion unnecessary, Ricks, formerly a Pentagon correspondent at the Washington Post and a thoughtful liberal now working on defense issues at a think tank, is careful to give detail to his story. And except for an unpardonable cheap shot at Bush 43 in which he compares him to the old Yuppie Jerry Rubin, he is fair, even if he disagrees with others. He gives everyone their say if he interviewed them. For example, there is plenty of criticism of the rough tactics of the 4th Infantry Division, led by General Ray Ordierno. But he interviewed Ordierno and allowed the now Army Chief of Staff to air his views. Importantly, too, Ricks has great respect for the military, even a certain reverence, which is why it must have distressed him to point out so many flaws in its strategy and tactics.While only covering 2003 through 2005, the book's theme is clear. Civilian and military leadership failed for a number of reasons, personal arrogance, lack of strategic planning, poor tactics and a misunderstanding of the type of war the military was fighting. Not only was the National Intelligence Report on the question of WMD dubious as to the existence of such weapons, there was no understanding of how Operation Desert Fox, a four day bombing campaign in 1998, crippled Iraq's ability to make chemical weapons. There is a small, although I think important sentence about the NIE. Neither the President nor Condoleeza Rice read the full 92 page report. That the President relied on a 5 page summary is not surprising. Some people absorb more through auditory learning, as did FDR. And presidents have a plethora of people with whom to consult on issues of national security. But the National Security Adviser relying on the same 5 page report? I find that astonishing.General Shinseki's belief that 300,000 troops would be needed to invade and occupy Iraq was dismissed by Donald Rumsfeld and Paul Wolfowitz on the theory that all the troops had to do was depose the dictator, conquer Baghdad, and the rest of Iraqi society would welcome us with open arms. Speed would trump the concept of overwhelming force, commonly known as the Powell Doctrine. But Colin Powell was running the State Department, and felt he had to tread lightly over the field of military strategy.According to Ricks, the suits at the Department of Defense were making their own war plans, never mind that is what the military is trained to do.The military itself thought it a conventional war similar to World War II, the same mistake made in Vietnam. The top brass never understood this war was different. There were exceptions like Generals Patraeus and Batiste and Colonel McMaster, now a major general, and the only one of the three remaining in the military. But they, highly educated and holding doctorates were exceptions. Most in command never understood the concept of winning the hearts and minds of the people. And of course, there were the terrible abuses at Abu Ghraib, another example of poor planning, which left the prison overcrowded, the staff overwhelmed.So many failed, Rumsfeld, through his arrogance, which caused many in the military to dislike him, his Deputy Secretary,Wolfowitz, the quiet chief theorist who thought it necessary to create a democracy in Iraq, and Douglas Feith, who ran the policy shop. Tommy Franks was detached and uncaring, like many others, about an occupation strategy to pacify the country. He and Feith were particularly obtuse after the initial invasion.Perhaps the greatest mistake, personnel-wise was making Paul Bremer the head of the Conditional Provisional Authority. Much like the key Defense Department honchos, he refused to listen to others, not so much a diplomat, but an autocrat. Bremer decided to tear up the Iraqi military, police force and entire government structure, figuring he could rebuild them from scratch, never mind the population needed foundations to rally around. Of such mistakes are insurgents made. Unbelievably, during the occupation, there was no unity of command, a first principle of war. Bremer had certain powers, as did General Rick Sanchez, autocratic himself but a good man in over his head. And according to Ricks, they detested each other and stopped talking to one another.There are some weaknesses here. Ricks believes that the war was a product of neoconservative philosophy, the foreign policy school that government, based on moral principles, should do large things. It is not that simple an answer. People can view issues from different perspectives and reach the same conclusion. Nor is it clear just when the effects of Desert Fox were understood by the military or the civilian leadership, before or after the invasion. Ricks relies on statements by the civilian leaders, he does not interview Bush, Dick Cheney, Rumsfeld, and other key government players, for some of which he has obvious contempt They were perhaps too busy to grant him audiences, but it is not clear what the Commander-in-Chief was being told. He omits entirely the statement made to Bush by CIA Director George Tenant that it was a "slam dunk" that Saddam had WMD, a glaring omission. Also, at an event at which retired General Zinni attended, Dick Cheney made the absolute assertion that Saddam had WMD. Ricks lays blame at Cheney's feet for making the war a certainty. But we really do not know the basis of Cheney's declaration. But his history was one of a man immersed in detail. So the question arises as to what the intelligence agencies were showing him, too. Vice Presidents after all, do not go out in the field and acquire intelligence themselves. True, Zinni says he almost fell off his chair at the statement, for he had kept his clearance to view highly classified information, and there was no such indication, but there is no showing he saw or was told the exact things Cheney might have seen or was told.Much of the time, Ricks relies on Washington Post stories written by others. The book drifts a bit aimlessly after Bremer and Sanchez are replaced by better men, John Negroponte and General George Casey, who worked well together, although Casey himself was later replaced by Patraeus. Perhaps Ricks had a deadline to meet and could not shape the final chapters as he might have. Fiasco, focusing on a limited time period, does not cover the Surge, which was in fact the essence of strategic counterinsurgency, and brought a temporary victory, and what could reasonably be called a calm to Iraq. But given its scope, and the difficulty of obtaining information, Ricks has done an outstanding job.But I wish Amazon would find an alternative phrase for a 5 star rating other than "I loved it." It seems inappropriate to classify books about real war and real death in the same way one might enjoy Rebecca of Sunnybrook Farm.

As a retired career Naval Officer, I found this book very informative. As the grandfather of an Army airborne ranger qualified First Lieutenant I found the lack of professionalism and integrity on the part of both senior and junior army officers to be very disturbing. I consistently am recommending this book to all of my acquaintances. The author appears to be calling a spade a spade and does not seem to have a vendetta against anyone. Should be on the mandatory read list for every career and retired officer of all services.

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Book Description

Let Inc. help launch your dreams. Makers, doers, and dreamers—for decades they have turned to Inc. for help in getting their businesses off the ground. The publication’s keen advice clarifies the process, while startup stories fuel aspirations and spark action. Warby Parker shook up the eyewear sector with its innovative, socially conscious business model. Skullcandy tapped into the surfing, skateboarding, and hip-hop scenes—and built a standout audio brand. All along, Inc. was there, capturing triumphs, setbacks, and lessons learned. Now, Start a Successful Business gathers these important lessons into a single path-charting guide. From brainstorming to crowdfunding to building partnerships, the book walks new and aspiring founders through seven crucial stages: • Come up with a brilliant business idea • Select the best structure and strategy for your startup • Figure out funding • Get the word out—and get customers • Dig deep to discover their wants and needs • Become an exceptional leader • Prepare to go global Throughout, celebrated entrepreneurs share ideas that worked for them, including where Sarah Blakely got the inspiration for Spanx, how Elon Musk stays insanely productive, why Rent the Runway ditched the business plan, and how a hashtag accelerated Airbnb’s success. With a fleet of trusted experts by your side, starting a business will be faster, less confusing—and a whole lot more fun.

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Product details

Series: Inc. Magazine

Paperback: 272 pages

Publisher: AMACOM; First edition (February 1, 2018)

Language: English

ISBN-10: 0814439187

ISBN-13: 978-0814439180

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 12.2 ounces (View shipping rates and policies)

Average Customer Review:

3.3 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#455,352 in Books (See Top 100 in Books)

This book is suitable for someone straight out of college or very new to the workforce considering the path of entrepreneurship.

Start a Successful Business was written by the reporters of Inc. magazine and published by the American Management Association. It clearly states the steps needed to start a new business. Beginning with the big idea moving through business strategy and structure, the book's instructions are clear and concise. It gives options for funding sources, customer acquisition, marketing, management, and growth strategies. Start a Successful Business includes research studies and interviews with Inc. magazine's top entrepreneurs. It is filled with real life examples of how successful entrepreneurs solved their initial problems.Start a Successful Business will motivate and educate people unfamiliar with how new businesses are started and made successful. For those with a class or two in business, this may be too simple an overview. Later sections on marketing and customer acquisition only skim the surface of each topic. However, the book does include good references to books or websites for more in depth study.Overall, I was expecting more, and probably too much, from the authors of Inc. magazine. It is strictly for people who want to start a new business but have no idea how to do it. For those readers, it is highly recommended. For all others, it seems like a pass. Averaging out to 3 stars.Thanks to the publisher, AMACOM Books, and NetGalley for an advanced copy.

Very motivational! I now want to go out and start my own business. The advice was very clear and direct. There were no long, drawn-out explanations, but rather concise and to-the-point instructions on how to start a business and succeed in doing so. I highly recommend this for any aspiring entrepreneur.

Start a Successful Business: Expert Advice to Take Your Startup from Idea to Empire (Inc. Magazine), by Colleen DeBaise PDF
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Start a Successful Business: Expert Advice to Take Your Startup from Idea to Empire (Inc. Magazine), by Colleen DeBaise PDF
Start a Successful Business: Expert Advice to Take Your Startup from Idea to Empire (Inc. Magazine), by Colleen DeBaise PDF

Rabu, 10 September 2014

PDF Ebook Wilson, by Daniel Clowes

PDF Ebook Wilson, by Daniel Clowes

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Wilson, by Daniel Clowes

Wilson, by Daniel Clowes


Wilson, by Daniel Clowes


PDF Ebook Wilson, by Daniel Clowes

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Wilson, by Daniel Clowes

Amazon.com Review

Amazon Best Books of the Month, April 2010: Wilson is billed as Daniel Clowes's "first original graphic novel," which sounds a little funny, since he's the author of Ghost World, one of the instant classics of that young genre, as well as the lesser-known but strangely wonderful David Boring, among others. But his other books first appeared serialized in his Eightball comics series, while Wilson comes to us all at once, in a beautiful oversized package. Wilson tells a single, complete story (of the bitterly lonely man named in the title), but it does so in tiny bites. Each page is a stand-alone vignette, in the familiar newspaper comics rhythm of setup, setup, setup, punch line: like Garfield, say, if Jon were a foul-mouthed incipient felon (and drawn with the tenderly grotesque genius of Clowes). The gags are the sort that stick in your throat rather than go down easy, and together they add up to a life that's just barely open to the possibility of wresting oneself out of the repetitions of hostility and failure. It's an intriguing addition to the most thrilling career in comics. --Tom Nissley

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From Publishers Weekly

Starred Review. Clowes (Ghost World) takes his particular brand of misanthropic misery to new levels of brilliance in this book, a series of one-page gags that show the divorced and lonely main character repeatedly attempting to engage with life, and then falling back into his hell of pessimism. Clowes uses a variety of drawing styles to depict Wilson and his world; sometimes he's highly realistic, other times he's an Andy Capp–style cartoon, but he's always the same downbeat guy. In one sketch titled FL 1282, Wilson asks the kid seated next to him on a plane about his line of work. When the kid answers that he does I.T. stuff, Wilson comes back at him with a mockingly satirical description of his own supposed work, using only initials. The last panel shows Wilson looking at a Spirit magazine and asking, Christ, do you realize how ridiculous you sound? Clearly, the comment is directed as much at himself as to the I.T. kid. This attitude of solipsistic despair is expressed incisively and cleverly, taking Wilson through a search for his ex-wife, Pippi, who has become a prostitute since leaving him, and their daughter, put up for adoption years earlier. Clowes offers another beautifully drawn slice of piercing social commentary. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Product details

Hardcover: 80 pages

Publisher: Drawn and Quarterly; 1 edition (April 27, 2010)

Language: English

ISBN-10: 1770460071

ISBN-13: 978-1770460072

Product Dimensions:

8.5 x 0.7 x 11.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#611,772 in Books (See Top 100 in Books)

With each individual page reading like its own self-contained dry-witted comic strip, I found it amazing to see how they all fit together. Each page is written to stand alone and they feel like random one-off stories from the everyday life of the titular main character, but there is also an actual overall story building toward the book's final pages. Life is made up of small stories, some mundane and some profound, and the stringing together of all the little stories adds up to each person’s big story. Here in “Wilson” it is remarkable to see and feel how sympathy and understanding can come about when viewing the arc of one man’s life even when it’s made up of smaller stories that often show him to be an unlikable character. Each page is a close-up of a man with an often obnoxious personality, but seeing the smaller stories fit together to form a life story allows the reader the chance to take a step back and feel a sense of sympathy and compassion for a fellow suffering human being. Daniel Clowes did some remarkable work here.

A while ago, Dan Clowes did the strip Mister Wonderful. It followed the ups and downs of its main character in a sort of tragic/romantic-comedy with more color than Clowes usually brings to his work. With Wilson, Clowes focuses more on the downs of life, the quite and subtle depressions, the lonely excitements and even the fondness for love deep within his title character. The thing Wilson has that Mister Wonderful didn't is a far more person and introverted character and style than Mister Wonderful. The styles Clowes uses vary and don't necessarily weave into one another too comfortably. Much of the book is broken down in form, like classic newspaper comics (with more Nancy than Nemo). Wilson's moods and environment change along with each page. Sometimes the changes are minor along with Wilson's temperament and attitude and the page style compliments it. The story follows along the same pacing Mister Wonderful did, mostly because it was serialized in one-page instalments while Wilson is one-page vignettes in days or moments of the same day along Wilson's unexciting life. It's Wilson's own conflict with urban frustrations and boredom that give each page it's variation on mulling over the mundanities' of life. One page might be a gag of modern content fleshed out in a formula that is fixed into the DNA of comic from 3 panel dailies to the likes of Mad, and the next might be a slice of life moment wfilled with sadness draped in one of Clowes typical hues. This book is a peculiar one in the Clowes library not just because it is amorphous, but because it seems like a stepping stone. Very much a summation of what came before, Wilson interacts with examination of not just the self but of the form (stylistic and of comics itself). Seeing style change every page is almost like having a new artist take on the same character through-out it's life the way newspaper strips do. The book itself is a bit of overkill. For only 80 pages, why is it hard cover and with such a price? I would much rather have this in soft cover, printed with a collection of the Mister Wonderful pages --especially since this book is in this oversized format with thick paper stock and not very much on its own-- with a lower price tag. While I can understand that people can be upset this book does echo the past to the point where it feels a bit familiar, it works well on its own but does lack a french phrase.

Yet another masterpiece from Daniel Clowes, who manages to somehow continue evolving while staying true to his particular aesthetic. Here, he has created a character that is both sympathetic and repulsive- or maybe not repulsive, but just really, really pathetic. His pain is your punchline, though- a sort of humdrum existential Walter White character portrait for those of us who will never make crystal meth.

I had a lot of the complaints made here about Clowes' last work Ice Haven - retreading old themes, the idea well running dry. I enjoyed Wilson a lot more. Four stars because it's not up to his top work, but still a very engrossing story that I'll re-read. Wilson is an anti-hero, a flat out bastard. But he's a multi-dimensional and interesting character. You feel empathy for him and all the characters in this bleak story. Wilson is a mature work, this is not bleakness from the pen of a self-absorbed adolescent. There's a bit of dark humor too. Recommended.

Daniel Clowes continues to reward his faithful readers by exploring new territory, both in narrative and tone. It might be hard to believe that this is book comes from the same mind as the author of the bizarre masterpiece "A Velvet Glove Cast in Iron", but it provides just as many memorable characters and witty lines of dialogue as any work in this master's growing library of comics "must-reads". This is a book that should be shared with friends, grandparents, and strangers on the street corner. I know what I'll be stuffing stockings with this Kawanza.

`Wilson', the latest book by cartoonist extraordinaire Daniel Clowes is unique in both Clowes' work as a whole and in the evolution of comic books/graphic novels as a serious medium. Unlike his previous books like `Ghost World, `Wilson' did not appear first in a serialized form. It was written as a book and is meant to be read as a book.That very fact is one of the things that causes the reading experience of `Wilson ' to be intriguing. Although Clowes has stated his desire for `Wilson' to be viewed as a whole, the story is told in the form of page-long `snippets' that resemble Sunday funnies comic strips such as `Peanuts', which appears to have been a substantial influence on Clowes. The reader, who in this case was myself, may at the beginning of the book may be tempted to view the first handful of snippets as amusing little experiments (a number of different drawing styles are applied throughout), shortly discovers something : a story emerges, one that is funny, disturbing difficult to forget. By the time that the book is over, one realizes that Clowes has created a very unique character, as contradictory and troubled as any real human being can be. In Clowes' hands, the comic book/graphic novel/whatever the hell you want to call it has become a very unique medium, one distinctly of its own. Clowes has done great work before, but `Wilson' is a book that makes one look forward to what he does next.

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Sabtu, 02 Agustus 2014

Ebook Free Female Force: Michelle Obama, by Neal Bailey

Ebook Free Female Force: Michelle Obama, by Neal Bailey

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Female Force: Michelle Obama, by Neal Bailey

Female Force: Michelle Obama, by Neal Bailey


Female Force: Michelle Obama, by Neal Bailey


Ebook Free Female Force: Michelle Obama, by Neal Bailey

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Female Force: Michelle Obama, by Neal Bailey

Review

"They manage to keep my attention for the entirety. And you know how happy educators like me get when the kids read these days instead of simply wasting their time with video games, charm bracelets, and fake nails - Vanity Fair MagazineObviously, the moment we discovered the existence of this gem, we needed to have it. Good Reads"Bluewater Productions creates intelligent, well-examined biographies of authors and stars as well as political and historic figures. If readers are looking for factual insights, relevant information, and terrific art, these books are a great source." Anne Elizabeth Columnist RT Book Reviews Mag

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About the Author

Neal Bailey lives and works out of Portland, Oregon. He writes comics, novels, poetry. He can't sleep at night and becomes very irritable when he's not.

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Product details

Age Range: 1 - 16 years

Series: Female Force (Book 1)

Paperback: 32 pages

Publisher: Bluewater Productions (July 15, 2009)

Language: English

ISBN-10: 1427638853

ISBN-13: 978-1427638854

Product Dimensions:

6.8 x 0.2 x 10.8 inches

Shipping Weight: 2.9 ounces

Average Customer Review:

3.8 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#919,021 in Books (See Top 100 in Books)

Your product was everything you advertise. I will be re-ordering products of this kind again. I have a President Obama Collection and your items will go very well with my collection. Thank you again, a well satisfied customer.

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Selasa, 29 Juli 2014

Ebook Download Michael Vey 7: The Final Spark, by Richard Paul Evans

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Michael Vey 7: The Final Spark, by Richard Paul Evans

About the Author

Richard Paul Evans is the #1 bestselling author of The Christmas Box. Each of his more than thirty-five novels has been a New York Times bestseller. There are more than thirty-five million copies of his books in print worldwide, translated into more than twenty-four languages. He is the recipient of numerous awards, including the American Mothers Book Award, the Romantic Times Best Women’s Novel of the Year Award, the German Audience Gold Award for Romance, five Religion Communicators Council Wilbur Awards, the Washington Times Humanitarian of the Century Award and the Volunteers of America National Empathy Award. He lives in Salt Lake City, Utah, with his wife, Keri, and their five children. You can learn more about Richard on Facebook at Facebook.com/RPEFans, or visit his website RichardPaulEvans.com.

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Excerpt. © Reprinted by permission. All rights reserved.

Michael Vey 7 1 Escaping Hades Former EGG David Welch stood alone on the Joule’s deck as he panned his binoculars over the smoldering prison island of Hades. At least what was left of it. Everywhere he looked was death. What few trees and foliage the Elgen had left on the island were still burning or glowing in heaps of red and orange embers. Around them scorched human skeletons and bones lay strewn across the landscape like straw after a windstorm. The island’s sand, now mostly melted to glass, glistened where streams of morning sunlight broke through the retreating storm clouds, reflecting the vibrant prisms of the color spectrum. Had it not been so terrible, it almost would have been beautiful. On one side of the crystalline beach were the only signs of life—the scurrying Tuvaluan natives who, along with the Electroclan, had survived the Elgen attack and taken shelter in the underground bunker before the explosion. Welch had left the natives water, food, and the Joule’s remaining life rafts to make their journey back to their home islands. Their leader, Enele Saluni, grandson of the former Tuvaluan prime minister (who, at Hatch’s orders, had been sentenced to life on display, naked in a monkey cage in the Tuvaluan capital), saluted Welch from the distance. Welch lowered his binoculars and saluted back. “Everyone’s below,” Jack said, climbing up the conning tower behind Welch. “Everyone’s here.” “Everyone?” “Everyone who made it,” Jack said hoarsely. Welch raised his binoculars one more time and scanned the horizon along the northern end of the island, looking for signs of Elgen. Again he saw nothing of the once terrible force—at least nothing that was still alive. “All right. Let’s get out of here.” Welch followed Jack down the inside of the Joule’s conning tower, pausing on the ladder near the top as hydraulic pistons pulled the hatch closed. Pneumatic clamps hissed and clicked around him as the steel hatch was locked airtight. Then Welch climbed down to join the others in the Conn, the Joule’s control center. “Take us down,” Welch said to the boat’s COB—the chief of the boat—as he stepped from the ladder onto the metal floor. Even though the Joule could travel as much as fifteen knots faster above surface, Welch didn’t want to take the chance of being seen. Outside of the Joule’s crew members who Welch had set adrift, he didn’t know who had survived. He didn’t even know if Hatch had survived. Perhaps no one had. But still, there was no sense in taking chances. “Yes, sir,” the Elgen COB replied, speaking into his microphone. “Down twenty meters.” *  *  * Including the COB, there were five Elgen still on the Joule and one Fijian servant. Twelve hours earlier, when Welch and his Glows—Quentin, Tara, Torstyn, and Cassy—had hijacked the Joule, they’d disarmed the seventeen-man crew and then sent everyone off the boat, except for the Joule’s COB and the four crew members needed to operate the ship. Welch had also sent J.D., the boat captain who had betrayed the Electroclan by sailing them into a trap, and his crew with the Elgen. “Man, don’t leave me here,” J.D. had said, clinging to the one life raft Welch had left them. “I helped you take this boat.” “You’re lucky I’m leaving you alive,” Welch said. “But don’t get used to it. When Hatch finds out that you helped us hijack the Joule, he’ll feed you to his rats.” “You will all die,” J.D. said. “Like rats.” Welch looked at him stoically. “Everyone dies. Some just sooner than others. And some, one bite at a time.” J.D. looked at Welch hatefully. “I will die as I choose. No one takes my life but me.” Then, letting go of the raft, he sunk down in the black water beneath the heaving waves. He never came up again. “So ends the traitor,” Welch said to himself. Quentin had disabled the raft’s outboard motor and radio with an EMP so the Elgen would not be able to alert anyone for hours, giving Welch and the Glows the time they needed to get back to Hades to rescue their friends. That was, if their friends were still alive. Even thirty miles from Hades, they saw and heard the massive explosion. Welch’s first thought was that Hatch had detonated some kind of nuclear device to destroy the island. But there was no mushroom cloud or, outside of the flash, evidence of a nuclear weapon. They weren’t going to leave the islands until they knew for certain if any of their friends had survived. Hours later, when Welch and company surfaced the Joule off the coast of Hades, they couldn’t believe what they saw. All the Elgen boats were sunk or burning on the surface. They were relieved to find the Electroclan huddled on the beach. Welch and Quentin sailed to shore to pick up their friends, leaving Cassy, Torstyn, and Tara on board to secure the ship. Ten minutes after Welch and Quentin left, one of the Elgen crewmen approached Cassy. “Hey, baby. We’ve been cooped up a long, long time.” “I’m not your baby,” she said. “And don’t take another step.” He kept walking. “What’s a little girl like you going to do to stop a big man like me?” Cassy pursed her lips. “You had to ask.” She froze the man’s entire body, including his lungs. He fell over, dropping to the floor with a loud thud. When she let him go, he gasped for breath, then said, “Please don’t do that again.” “When I tell you to stop walking, you stop walking. Next time you won’t breathe again. Ever. Do you understand?” “Yes, ma’am.” She smiled sardonically. “ ‘Ma’am’? What happened to ‘baby’?” *  *  * Jack was the last to board, gathering the teens in one corner of the Conn. The room echoed with the sounds of grief—sobbing and crying. Especially from Taylor, who was inconsolable. “Michael,” she said over and over. “My Michael.” McKenna’s arms were around Taylor, the two of them slightly rocking. “I can’t believe he’s gone,” Taylor said. McKenna wiped her eyes. “I can’t believe any of this.” Ostin watched them silently, too emotional to speak. His eyes were red and swollen. “I knew he had a hero’s heart,” Jack said. “I knew it the moment he came to my door to ask me to take him to California.” Just then Cassy walked into the Conn. She glanced around the room, then asked, “Where’s Michael?” From everyone’s silence she knew something bad had happened. She raised her hand to her mouth. “Oh no.” “He didn’t make it,” Quentin said. Cassy started crying. She looked over at Taylor. “I’m so sorry.” Cassy walked over, and the two of them hugged. “I know you cared about him too,” Taylor said. “I . . .” “It’s okay that you loved him too,” she said softly. “He was easy to love.” “Michael’s not the only one we lost,” Ian said. “We lost Gervaso and Tanner, too.” Jack swallowed in pain, fighting back tears. Gervaso had been more of a father to him than his real father. Abigail put her arms around him and comforted him with her powers. “Please don’t,” Jack said. “I want to feel the pain.” Abigail stopped pulsing. “I understand.” Jack furtively wiped his eyes, then looked out at the others. “Gervaso told me that when he was in ranger training, his drill sergeant told them that they were all going to hell. The only consolation was that they’d already been there, so it wouldn’t matter.” He rubbed his eyes. “If there’s a heaven, I think there’s a special pass for heroes.” “I think so too,” Zeus said. “There’s far too few of them as it is.” “Someday we’ll return,” Welch said. “When the world has changed. We’ll build a memorial to the three of them. Then the whole world will know what they’ve sacrificed.” There was something hopeful in what Welch had said. After a few more minutes Welch said, “You must all be exhausted. Get some rest.” He turned to Tara. “Take them to their bunks.” “Yes, sir,” Tara said. “Everyone, follow me.” “Except Cassy,” Welch said. “You stay with me. I need some backup.” “Yes, sir.” The rest of the teens followed Tara, single file, out of the Conn. None of them had ever seen anything like the Joule before, which wasn’t surprising, since the Joule was the only ship of its kind ever built—a hybrid vault, ship, and submarine. It was tight and narrow with no portholes. Air, mostly recycled, was continually pumped throughout the vessel, and filled the echoing chambers with a continual hissing. The walls were all riveted metal, as was the floor, which had been coated with thick rubberized flooring that softened and dulled the sound of their footsteps as they walked. Tara led them down a narrow corridor past the commander’s quarters to the first of two bunk rooms. The compartment was designed solely for sleeping. It was only twelve feet wide, with pipe-framed cots on both sides of the room with trampoline-like mattresses. The cots were connected, by brackets, on one side to the wall, while the other side was supported from the ceiling by chains. The beds were stacked four high, with only a few feet of headroom; the bottom bunks were suspended only three inches above the floor. “This is where we sleep,” Tara said. “It’s tight, but the Joule is basically a submarine. Everything’s tight. Welch wants us all to stay in the same room so we can lock the Elgen crew members in the other.” “I don’t care where I sleep,” Jack said. “As long as I’m horizontal. I feel like I’m sleepwalking.” He took off his shoes and then, using the edges of the lower bunks as steps, climbed up onto the top bunk. Everyone else claimed bunks, except Taylor, who just stood in the middle of the room looking lost. “C’mon, honey,” Abigail said. “You need some rest. You’ll feel a little better after you get some rest.” “Sleep won’t take this away,” Taylor said. “Unless I never wake up.” “I can’t take it away, but I can help. Just lie down right here, sweetie,” Abigail said, pulling down the covers on a bottom bunk. Taylor took off her shoes and crawled out across the cot, lying on her back. “Now just relax,” Abigail said. She put her hands on Taylor’s head and lightly pulsed. At first, Taylor shuddered; then her body calmed and she breathed out deeply. Within moments she was asleep. “You have a beautiful gift,” Tara said softly. “Thank you,” Abigail said. For a moment everyone was quiet and the only sounds were the constant hissing of the Joule’s air system, Jack’s snoring, and the strained, eerie groaning of the vessel. Every now and then the boat creaked like a heavy door on a rusty hinge. “Does that sound ever stop?” McKenna asked. “Probably not,” Ostin said, speaking for the first time since they’d boarded. His voice was raw and strained. The pain in his voice hurt her. “Hey, tell me some facts about submarines.” “Sorry,” Ostin said. “I’m not in the mood.” McKenna frowned. “How deep do you think we are?” Ostin breathed out slowly. “The Joule can dive to six hundred feet.” “What makes that sound?” Ostin sniffed, then said softly, “At six hundred feet the water pressure is 282.6 pounds per square inch. That’s a lot of pressure on a pressurized can.” “I heard that the Elgen carry all their wealth in this boat.” “Not all of it,” Ostin said. “Just enough for a rainy day.” “That would be a lot of rain,” Ian said, suddenly joining the conversation. “There are stacks of gold bullion running two feet high across the length of the boat.” “They’d have to use that much weight as ballast,” Ostin said. “There’s also diamonds and boxes of paper currency. I could open the safes that hold them,” Ian said. “Just for fun.” “That would be fun to see,” McKenna answered. “Maybe someday we’ll share in all that loot.” “Maybe,” Ostin said, sounding not at all interested. Abigail glanced back at McKenna with a sad smile, then climbed onto the bunk above Taylor. An hour later Cassy walked into the bunk room. “Lunch is ready,” she said softly. No one moved. Everyone was asleep. After a few minutes, Cassy went back to the Conn to keep Welch company.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: 620L (What's this?)

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Series: Michael Vey (Book 7)

Hardcover: 336 pages

Publisher: Simon Pulse/Mercury Ink (September 12, 2017)

Language: English

ISBN-10: 9781481497039

ISBN-13: 978-1481497039

ASIN: 1481497030

Product Dimensions:

6 x 1.3 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

488 customer reviews

Amazon Best Sellers Rank:

#24,070 in Books (See Top 100 in Books)

Really, this series has been a bit of a mess for a while now. I used to teach the first Michael Vey book to my 8th graders and it was a huge hit. And it's a credit to Richard Paul Evans that he made Michael such an engaging character that I have stuck through the series to the end. But there are so many things going on in this final book, too many threads, too many characters, too many people that I don't care about and the introduction of some new characters that would have had a bigger impact had their existence been at least alluded to in the prior books. The ending of the book (without spoilers) is frankly just odd. And as other reviewers have noted, characters make some interesting moral choices that are not delved into more seriously. Overall, if you have read the rest of the series, read this one too, for closure, but we deserve better. Michael deserved better.

What a fantastic book to end the Michael Vey series! I know this book series was written for teens, but I have loved reading it along with my teenagers. My daughter and I were able to go to the launch party for this 7th book, where we purchased this book a few days early. We both devoured book 7 within the next 24 hours (since the 6th book left with such a cliffhanger!) We couldn't put it down since we had to find out what happened to Michael Vey! I won't spoil it for you, but I will say this: 1. Dr Hatch only gets to be worse of a bad guy, 2. Everything seems to go from bad to worse for the Electroclan, and 3. The ending is epic and I was very satisfied with how this series ended.Richard Paul Evans has written another best seller! I love that his characters are so relatable. They are real. I love that this series is "clean." I have no problems with even my young teens reading it. I also love that one of the heroes of this series is a boy that has a disability (Tourettes). As the mother of kiddos on the autism spectrum, I want to champion any series that teaches teens that they are awesome in spite of the things that make them different. Great read, great morals, and great end to the series!

After reading the first six, there were so many loose ends, which I loved, but this mess just does t cut it. There were so many potentially good moments that just fell due to how rushed the book felt, everything became so predictable, I was anticipating this, but I honestly wish Evans had taken another hear on it, as many as he needed to make it a masterpiece, there is a reason Rowling 's books got longer for all the character and plot development, which made everything worth the length. I only gave this two stars because the resolution didn't leave anything too much up in the air. Richard Paul Evans if you read this I'd like to ask you to look at this and see where you skipped important information, character details that were rich enough in previous books need to get multiplied and more intricate as you give the reader's things to assume from the characters actions. As I hope that as an author you become fearlessly unsatisfied with this finale.

This series has been an incredible, action packed journey for me. I started the series 7 years ago when the 2nd book had only just come out. Every single year I would keep re-reading the previous books while I waited for September to come and the next book to come out. I'd shared this series with all my friends and I couldn't imagine how amazing the finale would be.But it wasnt.And I really wish it was.The other books had set a certain standard that, while pretty good, was still easily surpassable.SO WHAT WAS WRONG?A lot if I'm honest.Here is the SPOILER FREE take on it.1. Plot wise it was extremely uneven. There were some parts that went waaaaaay to slowly, and the most important parts were totally rushed through. The previous books had generally had good, steady plots and storylines which made you want to finish. That was definitely not the case here.2. The author spent way too much time on introducing insignificant new characters and probably the majority of the chapters on the Tavulu resistance taking back their islands.3. Yes, there are many revelations, most of which came out of nowhere and aside from almost making no sense, had no buildup from the previous books or even the start of this one. If you're going to drop a bombshell on the readers, at least make it look like you're trying.4. I didn't feel Evans did justice to any of the main characters. They didn't have many chapters focused on them, and it didn't even feel like it was THEM. Personality wise, dialogue wise, nothing. I guess it was hard to distribute focus on so many characters (espcially all the members of the electroclan) but no excuse. When I see Torstyn having more lines than Ian, Abigail, maybe even Mckenna... thats not okay.5. This book we didn't get to see almost anyone actually using their power. It was so cool in the other books how they used their power and fought. Another reason why the book was way less exciting.5. Usually the sciency parts of this series can kinda sort of make sense if you really try....NOT in this book. Simply put, nothing made sense.5. I wasn't so satisfied with the conclusion, I had so many questions left unanswered.**********SPOILER VERSION DOWN BELOW************For all those who have read books one through six and you just want to see it end, it will at least give you closure. Not much, though. Since my bitter disappointment with Blood of Olympus which ended the percy jackson series (and along with it my respect for the author ) I've seen too many series finales falling dramatically short on every level and expectation. This will probably be the only Vey book I won't reread and I'm fine with that.********************SPOILERS************************(or for people who have now been convinced not to read the series and just want to know what happens. Thats good too.)1. for the life of me I will never understand why all the main action of the ENTIRE BOOK happened between page 290 and 299. Or close to that. SERIOUSLY? I bought the book for 9 pages of semi enjoyable reading. That is not okay.2. Biggest mistake was waiting till the end of the book to bring back Michael. He was one of my favorite characters and he gets less than a chapters worth of appearance. AND THE SERIES IS NAMED AFTER HIM.3. Michael didn't even act like michael. He sounded way too smart and had none of the sass we'd seen in the rest of the series. Michael had had such a good character arc and it was really great watching him grow throughout the series. And all that great characterization seems like it disappeared. That being said, most of the characters didn't act like themselves. Hatch's glows like Quention and Tara seemed to have transformed over night into good people. Yeah, so hatch betrayed them and all that, but they were still selfish, jaded, spoiled, violent teenagers. Cassy doesn't sound like cheeky, confident Cassy at all, not once. And all the other Glows barely had any dialogue4. When everyone sees Michael alive they're all like "hey what's up, we knew you really weren't dead" I'm referring specifically to Taylor and Ostin and honestly everyone else. Only his mother cried and reacted at all.5. No reason that made actual sense why michael survived, and it did't elaberate how it changed him at all. He got all this new power and weird abilities and the book just blips over that.6. Carl Vey. No buildup from the other books and a false alarm in book #5 = really unnecessary bad reveal. And, wasn't Michael's Mom interested in that other guy from the resitance. And it never mentions in the epilogue how it is to have his father back in his life or anything about his parents relationship now. Big miss out.7. This new glow Zara was completely unrealistic, and thats saying something for a sci-fi book. Her powers were way to powerful and unbelievable, and it didnt expain HOW it was possible for her to do that like it did with the other glows. Also, if Hatch had had her all this time, he wouldve used her a million times ago to defeat the Electroclan. She also had no backstory and what was she even doing this whole time and where was she. And did she die at the end? I couldn't tell8. Hatch's death was way too uneventful. he was an evil man who killed millions and he just gets vaporized?!?8. So apparently they just moved back to meridian after being missing and some presumed dead for who knows how long and no one bats an eye, no one calls the cops. They just went back to school?!9. ********IMPORTANT ONE******** THEY NEVER EXPLAINED WHY ONLY THOSE 17 KIDS SURVIVED AND NO ONE ELSE AND THEY LITERALLY WERE BUILDING UP TO THAT FROM BOOK ONE AND ON. I waited 7 years to hear an answer I'd never get.10. hated the epilogue. None of them sounded like themselves and it seemed too perfect and made no sense11. what happened to the elgen? Really, i wouldnt even have minded if Michael narrated what happened after the last battle in story form like many books do. At least I could've been satistfied with the ending a bit more.I probably could harp on this book a lot more but for now its enough. Definitely the worst book out of all of them and I still feel left hanging

I had read the first six books and was looking forward to the conclusion of the series. Perhaps I had built it up in my head a bit too much, but the 7th and last book seemed a bit formulaic. I kept waiting for the "twist" or unexpected tangent that seemed to come with the other books, but was not here in this one. The author seemed to be "wrapping it up" and taking care of the loose ends, which may be all some people wanted. A conclusion to the journey. I have enjoyed the series and would recommend the series. They are a great read. Lots of action and adventure across the globe. There are lessons of loyalty, courage, and self sacrifice to be learned in the series that seems to be missing in other books, and is certainly missing in TV shows and movies today.

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Sabtu, 12 Juli 2014

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LaChapelle: Heaven to Hell, by David LaChapelle


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LaChapelle: Heaven to Hell, by David LaChapelle

About the Author

David LaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. Since then his work has been exhibited in galleries and museums worldwide, including Tony Shafrazi Gallery and Deitch Projects in New York, and London's Barbican. His images have appeared in countless magazines including Vogue Italia, French Vogue, Vanity Fair, Rolling Stone and i-D. In recent years he has expanded into music videos, live theatrical events and documentary film-making.

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Product details

Hardcover: 344 pages

Publisher: TASCHEN; Multilingual edition (June 1, 2010)

Language: English

ISBN-10: 3836522845

ISBN-13: 978-3836522847

Product Dimensions:

10.5 x 1.5 x 13.5 inches

Shipping Weight: 6.5 pounds

Average Customer Review:

4.6 out of 5 stars

40 customer reviews

Amazon Best Sellers Rank:

#976,108 in Books (See Top 100 in Books)

Amazing addition to my LaChapelle collection of works. Although, published by Taschen - some prints are repeated from LaChapelle's original books, there are few unique prints I don't recall seeing elsewhere. Slightly smaller size than usual-large coffee table size books, but much more generous on amount of prints. Highly recommended to photographers, lighting, fasion and interior designers, makeup artists etc. I wish every photo came with a hefty description, as I know each photo is an epic tale of behind-the-scenes and true meaning. Still, a wonderful book, for any guest to spark a conversation with (even your mother in law).

Not my favorite David LaChapelle book but there are some real cool shoots in this one including some of your favorite celebrities.

A gift for my husband, who loves LaChappelle's work. It was his favorite Christmas present! I can best describe this as a baroque collection of photography. Provocative, shocking, eccentric, colorful....I could go on. If you can appreciate excellent photography from an exceptionally creative mind who is not afraid of shock-value, I highly recommend this. My ONLY wish is that each photo included a brief description of LaChappelle's inspirations for each work of art (it does include each celebrity's name, title and date...but we want to know more!). If you have an open mind for art and photography, buy the book...you won't be disappointed!

Great book, lot of photos, I saw his exhibit in Prague and he is very cool artist. Maybe not a perfect book for work coffee table as it is NSFW but great for your home :)

Gave this as a gift to a friend who is also a phenomenal photographer. LaChapelle is one of her favorites and this took her by complete surprise and she loved it. I wasn't personally familiar with the artist myself, but after looking through the book with her, I almost wanted to keep it for myself. Very bold, bright pictures. Very unique in style. Love it.

I was excited on this book but I think he has better books than this one. But is ok

I can't understand why there is such a big deal about this guy's work other than he had an idea and shot it first, then made sure MANY people saw it right away. So it was VERY encouraging to see that the ONLY thing that made this name a household name in photography was EXPOSING his work to others. MANY others. Don't get me wrong, there are very creative ideas in this book as far as a photographic concept point of view. But if you are expecting some great artistic-technical expert works, you won't find it here. Generic photoshop effects, a lot of which are not very good by today's standards of even the "Amateur". Many shots look as though they were just shot with a film point-and-shoot camera. And very well may have been. This book should call to notice the possibility that ANY photographer can become a celebrity legend, if he/she just gets ther quirky pictures in front of millions of viewers. Go Get Em SoccerMoms! :-) Get this book, look at the pictures, get motivated, shoot, show, succeed.

David's work is so amazing, this is one of my favorite books of his. Many famous faces and great concepts

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